From Cave Paintings to the Internet A Chronological and Thematic Database on the History of Information and Media Book Trade Timeline

"It is not until the middle of the fifth century or a little later that a book trade can be said to have existed in Greece: we find references to a part of the Athenian market where books can be bought  (Eupolis fr. 327 K.-A.) and Socrates is represented by Plato as saying in his Apology 26D that anyone can buy Anaxagorus' works for a drachma in the orchestra. All details of the trade, however, remain unknown" (Reynolds & Wilson, Scribes and Scholars, 3rd. ed. [1991] 2).

"The increase of the book trade made it possible for private individuals to form libraries. Even if the tradition that sixth-century tyrants such as Pisistratus and Polycrates of Samos possessed large collections of books is discounted (Anthenaeus I.3A), it is clear that by the end of the fifth century private libraries existed. Aristophanes pokes fun at Euripides for drawing heavily on literary sources in composing his tragedies (Frogs 943), and his own work, being full of parody and allusion, must have depended to some extent on a personal book collection.

"There is no trace of any general library maintained at the public expense at Athens, but it is likely that official copies of plays performed at the leading festivals such as the Dionysia were kept at the theatre or in the public record office. Pseudo-Plurarch (Lives of the ten orators 841F) ascribes to the orator Lycurgus (c. 390-324 BCE) a proposal to keep official copies in this way, but the need would probably have arisen earlier. We know that after the original performance plays were revived from time to time. New copies of the text must have been needed for the actors, and if they had been obliged to obtain these by a process of transcription from private copies it would be surprising that an almost complete range of plays survived into the Hellenistic age" (Reynolds & Wilson, Texts and Transmission, 3rd ed. [1991] 5).

In his Anabasis 7.5.14, Greek historian Xenophon reported that books (papyrus rolls) formed part of the cargo of ships wrecked off Salmydessos on the north coast of Thrace -- evidence that books were exported from Athens (?) to the Euxine coast by this date, reflective of an international book trade.

Reynolds & Wilson, Scribes and Scholars 3rd ed. (1991) 244.

"We hear nothing of a book trade at Rome before the time of Cicero. Then the booksellers and copyists (both initially called librarii) carried on an active trade, but do not seem to have met the high standards of a discriminating author, for Cicero complains of the poor quality of their work (Q.f. 3-.4.5, 5.6). Most readers depended upon borrowing books from friends and having their own copies made from them, but this too demanded skilled copyists. It was perhaps for such reasons that Atticus, who had lived for a long time in Greece and there had some experience of a well-established book trade, put his staff of trained librarii at the service of his friends. It is not easy to see whether Atticus is at any given moment obliging Cicero as a friend or in a more professional capacity, but  it is clear that Cicero could depend on him to provide all the services of a high-class publisher. Atticus would carefully revise a work for him, criticize points of style or content, discuss the advisability of publication or the suitability of a title, hold private readings of the new book, send out complimentary copies, organize its distribution. His standards of excecution were of the highest and his name a guarantee of quality" (Reynolds & Wilson, Scribes and Scholars, 3rd. ed. [1991] 23-24).

"By the end of the Roman Republic the institutions and processes that govern and guard the transmission of the written word were already in existence, and under Augustus and his successors they were refined and consolidated. The book trade became more important, and we soon hear of the names of established booksellers: Horace speaks of the Sosii, later Quintilian and Martial tell of the Tryphon, Atrectus, and others. By the time of the Younger Seneca book collecting was derided as a form of extravagant ostentation. Augustus founded two public libraries, one in 28 B.C. in the Temple of Apollo on the Palatine, the other, not long afterwards, in the Porticus Octaviae. Thereafter libraries were a common form of both private and imperial munificence, in Rome and the provinces. Pliny founded a library in his native Comum and provided money for its upkeep; the best-preserved (and restored) ancient library is that built at Ephesus in memory of Titus Julius Celsus, proconsul of Asia A.D. 106-7; one of the most famous was the Bibliotheca Ulpia founded by Trajan, which long survived the disasters of fire and strife and was still standing in the fifth century" (Reynolds & Wilson, Scribes and Scholars, 3rd. ed. [1991] 24-25).

The oldest document recording the Christian book trade is a stichometric price-list of books of the Bible and of Cyprian's works, the Indiculus Caecili Cypriani written in Africa, probably in Carthage shortly after 350.  The charges are calculated on a per line basis, using the length of a typical line of Virgil as the standard.

Bischoff, Manuscripts and Libraries in the Age of Charlemagne (2007) 2. Bischoff, Latin Palaeography: Antiquity and Middle Ages (1990) 184.

The Vergilius Vaticanus (Vatican, Biblioteca Apostolica, Cod. Vat. lat. 3225; also known as the Vatican Virgil) is an illuminated manuscript containing fragments of Virgil's Aeneid and Georgics produced in Rome  It is one of the oldest surviving sources for the text of the Aeneid, and the oldest of three surviving lllustrated manuscripts of classical literature. The two others are the Vergilius Romanus (circa 450) and the Ambrosian Iliad (493-508).

"It is Italy that has left us the greatest legacy of books and literature form the late Roman world. In the Italy of the fourth, fifth, and sixth centuries there were probably still stationers who employed scribes to produce books and well as scribes and artists who worked independently. The Codex Vaticanus of Virgil and the Quedlinburg fragment of the Book of Kings in the Vetus Latin version are two products of this professional scribal activity from the end of the fourth century. Both manuscripts might have originated in the same scriptorium"

(Bernhard Bischoff, Manuscripts and Libraries in the Age of Charlemagne [2007] 3-4). In his dating of the Quedlinburg fragment, and his consideration that both might have been produced by the same shop Bischoff differs from later scholarship. The essays published in Manuscripts and Libraries. . . originally appeared in German between 1966 and 1981.

"Even as the Roman empire collapsed, literate men acknowledged that the Christianized Virgil was a master poet.. . . . The Aeneid remained the central Latin literary text of the Middle Ages and retained its status as the grand epic of the Latin peoples, and of those who considered themselves to be of Roman provenance, such as the English. It also held religious importance as it describes the founding of the Holy City. Virgil was made palatable for his Christian audience also through a belief in his prophecy of Christ in his Fourth Ecologue. Cicero and other classical writers too were declared Christian due to similarities in moral thinking to Christianity.

•"In the Middle Ages, Virgil was considered a herald of Christianity for his Ecologue 4 verses (Perseus Project Ecl.4) concerning the birth of a boy, which were read as a prophecy of Jesus' nativity.

•"Also during the Middle Ages, as Virgil was developed into a kind of magus, manuscripts of the Aeneid were used for divinatory bibliomancy, the Sortes Virgilianae, in which a line would be selected at random and interpreted in the context of a current situation" (Wikipedia article on Virgil, accessed 12-03-08).

An illuminated manuscript on vellum of the first half of the Acts of the Apostles (G. 67) written in Coptic of the Middle Egyptian dialect, and presumably the first half of a two-voume set, is preserved in the Pierpont Morgan Library.

"There is a miniature in the final quire of a crux ansata flanked by two peacocks and bearing three smaller birds. It is the earliest-known Coptic miniature. The place of discovery of this Coptic Acts has never been revealed, but it appeared in the antiquarian book trade in 1961 together with a Coptic Gospel of Matthew that must have belonged to the same find. This latter is now in the possession of William Scheide. Its script is very similar to that of the Glazier Acts, its dialect is the same, and the leaf size of both manuscripts is very nearly identical. Their small format suggests that they were made for private use. The Glazier Acts was originally dated as early as the fourth century, but recently a more generalized dating in the fifth century has been argued.

"The binding of the Scheide Matthew is now quite damaged, with loss of the entire spine or backstrip, but was identifical in type to that of the Glazier Acts. Apart from its boards, all that now remains are carbonized portions of the hinging strips. At least two other Coptic codices, also dated to the fifth century, still retain bindings of this type. One of them is in the Morgan Library, M. 910: a complete Coptic Acts, in the Sahidic dialect. Though severely damaged and partly distingetrated, from what remains the system of wooden boards, backstrip, hinge strips (four), and wrapping strips can be clearly reconstructed. The other example, a Sahidic Mark and Luke, is in the Palau-Ribes collection of the University of Barcelona.

"The fine state of preservation of the Glazier Acts binding, and especially of the goatskin backstrip is so fresh as to have cast some suspicion on its authenticity. However, considering the even more ancient Nag Hammadi find, it should not be assumed a priori that the binding is too good to be true, and that leather could not survive and remain flexible for so long. There have been various losses; the backstrip once extended at both ends, so that it could be folded over the top and bottom edges of the leaves for additional protection. The top extension is now frayed, and that at the bottom has been torn away. Two of the three wrapping strips survive, one only partially; and two of the bone securing pegs terminating the strips. Neither strip is now attached to the board. There are only remains of what were originally two plaited leather place marks, once laced into the upper board, one into the lower. In addition to fillets, the backstrip was stamped with a small tool of concentric circles, a common Coptic decorative pattern repeated on the bone pegs. This is the earliest evidence for tooling on a leather bookbinding.

"Three Egyptian bindings dated to the sixth century have survived in bindings which appear to exhibit later, fancier evolutions of this style; two are in the Chester Beatty Library, Dublin, and one in the Freer Gallery, Washington. The techniques of these bindings have not been entirely deciphered, but in all three examples, the number of hinging holes on the boards was greatly increased, to three dozen or more. In none of the three are there any signs of linkage between sewing and covers--with with the Glazier Acts and others of its group, only glue held the covers to the codex. The backstrips of the two Chester Beatty bndings were stamped with pictorial tools. The wooden covers of the Freer Gospels (a Greek text, but of Egyptian origin) are painted with portraits of the evangelists, two on each cover. It is generally thought that these painted figures were added later, perhaps in the seventh century, and were not part of the orignial conception of the binding. The evangelists are depicted holding codices, a traditional iconography, and it is curious to note that these are quite clearly represented as possessing jewelled covers. . . . "(Needham, Twelve Centuries of Bookbinding: 400-1600 [1979] 9-10).

"There is a tendency to write about ancient literature and late antique manuscripts as if they vanished, all at once, in the chaotic centuries often called the Dark Ages—to see the history of transmission in this period largely in terms of large-scale physical destruction. Such a picture is slightly out of focus. Yes, the period AD 400-600 saw a great deal of destruction; but then, destruction from fire and the elements was not new to Roman history. The exceptional element was that the production of new manuscripts ceased; the market for new books rapidly diminished and, once the market dried up, the means of production disappeared. This was not so much a result of the physical destruction of either the readers or the bookshops, but rather because the traditional audience, namely the Roman senatorial class, within a couple of centuries dwindled in size and recycled itself as an ecclesiastical class with its own, albeit small, means of producing manuscripts.

"Lack of production, of course, does not equal lack of use—in many respects, quite the opposite. The newly emerging societies cherished Roman coins, and clipped them to make the smaller denominations appropriate to their greatly reduced money economy, since they did not mint large quantities of precious metals of their own. In similar fashion, Roman books whether papyrus or parchment continued to serve the needs of the shrinking literate class—not new books, but the enormous residue of the antique book trade that reposed in public and private libraries. These slowly gravitated to ecclesiastical libraries (locus of the new literate class), to be sent north with the missionaries. Benedict Biscop, for example, had no difficulty finding books to carry north to Norhumbria when he visited Rome in the 670s; but these were old books, already a century or two older than he.

"What is remarkable is the length of time that Christian Rome and its infrastructure endured. As we have suggested, Roman civilization, centred on the city, the forum, and the public baths, which was once thought to have been destroyed by the Visigoths and Ostrogoths who sacked Rome in the course of the fifth century, is now generally recognized as having remained, though undeniably altered, reasonably intact until the middle of the sixth century; indeed, the external trapping of this civilization were gladly appropriated by the Ostrogothic kindom of Theodoric (475-527), whom both Boethius and Cassiodorus served. The physical devastation of Roman Italy occurred, ironically, through the reassertion of imperial power—the reappearance in 540 of Byzantine armies in Italy under the emperor Justinian's general Belisarius. Rome changed hands five times in these campaigns.

"What survived Belisarius' legions fell to the Lombards, the last of the tribal groups to move into Italy. Any city, such as Milan, that opposed the Lombard advance was razed; those like Verona that opened their gates survived unharmed. It is no wonder, then, that little of ancient Milan, city of Ambrose, survived—or, conversely, that Petrarch in the fourteenth century could find what was probably a late antique manuscript of Cicero's letters to Atticus in Verona. Remarkably, the Roman aqueducts still functioned in the time of Pope Gregory I (pope 590-604); but gradually the Roman ruling class was replaced or absorbed by Lombard (or, in Gaul, by Frankish) peoples who had little need, or even less ability, to maintain the physical infrastructure of Roman civilization: the forum, public baths, roads, libraries, temples. As became unnecessary, they were increasingly neglected. Eventually they served the only useful purpose left to them, becoming the quarries that provided the cut stone from which early medieval basilicas and royal palaces were built" (Rouse," The Transmission of the Texts," Jenkyns (ed) The Legacy of Rome: A New Appraisal [1992] 44-45).

"The end of classical civilization in the West—roughly between AD 450 and 650, with regard to transmission of texts—is not so much the story of a violent physical destruction of the Roman empire as was once thought, but rather a matter of the barbarization of Roman civilization over 200 years or so, as the army, the government officials, the business classes, and the very population assumed the styles and customs first of the Ostrogoths and then of the Lombards. In the course of time, the forum, the bath and the temple fell into disuse and decay, their traditional roles in civic life forgotten as the public city-state was replaced by the private tribal kingdom. As Roman civilization faded, the Roman education of public school and private tutor slowly diminished; the body of literature that was the common property of the educated in Antiquity ceased to have an audience, and as the market for books disappeared the public stationers vanished. In Gaul, centurions like Martin (c.316-97) became saints, senators like Sidonius (c. 423-80) became bishops, and some patricians disenchanted with society, like Benedict (c. 480-550), removed themselves and formed communities with their fellows that lived according to a rule. Order and stability, once the obligation of the state, became the Church's responsibility. Literacy, necessary both to the teach of a religion dependent on Scripture and to the function of the Church as administrative heir to the Roman state, became the near monopoly of the Church, which acted in effect as the civil service of the tribal kingdoms for the next 500 years" (R. Rouse, "The Transmission of the Texts," Jenkyns (ed) The Legacy of Rome: A New Appraisal (1992) 43).

"The Church gradually replaced the Roman state as the source of order and stability in the course of the fifth and sixth centuries. In the act of disseminating Christianity to the heathen the Church disseminated the remains of Roman learning to the barbarian. Gregory of Tours (540-94) emulated Gregory of Rome (540-604), in that each as bishop of his respective city organized the city's affairs, legal and financial. Each came from a family of senatorial rank, living in the twilight of ancient civilziation. The importance to textual transmission of the joining of ancient and medieval, the connection of the past with the future, in the seventh century vividly represented in the conversion of England by Gregory I's missionaries and the growth of monastic culture, culminating in the Northumbrian renewal upon which, in turn, the eighth-century Carolingian renascence in Gaul rests in large part. The Church in England both north and south of the Humber was built by ecclesiastics from Italy; moreover, this took place at a time (c. 660-85) when the still-Byzantine portions of central and southern Italy harboured many ecclesiastics who had fled there to escape Muslim advances in the Middle East and North Africa. This explains why it is that Theodore, archbishop of Canterbury (669-690), was a Greek from Tarsus in Asia Minor, and that his companion Hadrian (d. 709), who knew Greek and taught it at Rochester, was originally from North Africa. The books from which Bede (673-735) studied at Monkwearmouth, and those which Boniface (c.675-754) read at Canterbury, were products of the late antique booktrade, some of which had passed via Cassiodorus' Vivarium and the library of the Lateran Palace, to be brought to England by Theodore, Hadrian, Benedict Biscop (c. 628-89) and their followers" (Rouse, "The Transmission of the Texts," Jenkyns (ed) The Legacy of Rome: A New Appraisal [1992] 45-46).

Benedict of Nursia, better known as St. Benedict, founds the Abbey at Monte Cassino in Compania, Italy, introducing monastic life to Europe. His Rule, formulated near the end of his life (547), based the foundations of monastic life on prayer, study, and the assistance of the sick.

♦ "Every monastery, therefore, was obliged to have a doctor to attend patients and a separate place in the cloister where the sick could be treated. It thus became necessary for one, at least, of the monks to collect scientific material, to study it and to hand on his knowledge to those who would, in time, take his place. In this way was started that practical teaching which was transmitted by word of mouth from generation to generation to the great advantage of the sick breathren of the monastery. As many codices of Latin and Greek learning as could be found were collected, and translations and extracts made for the use of those who, either because their studies had been only elementary or because they lacked the time,  were incapable of reading their authors in the original text.

"What was the position of the monkish doctor in these religious colonies? It is true that in Benedictine monasteries the doctor was not granted a well-defined position by the monastic rule, like the Prior, the nurse (a man, of course—with a post which was merely administrative), the chaplain, the cellarer or the librarian. The title of medicus was, therefore, not official; its holder had no disciplinary power, and it could not directly procure him any privileges. It was a mere name given to monks who, as a result of their studies, showed some special capacity for the art of healing. But, without having any official status among the dignitaries of the monastery, they yet had a high moral position in the community. In official monastic documents they signed after those monks who were invested with the highest monastic rank. Their elevated moral position is quite clear from the important missions entrusted to thrm by great personages of the day, missions of trust which would not have been given to individuals who were not held in considerable esteem. . . .

"The doctor treated his patients, prescribed the medicaments and prepared them himself, using those which he kept in the armarium pigmentorum. The herb garden, which existed in every monastery, allowed him to have at hand the medicinal plants he needed. The students whom he gathered round him in the monastery helped him to treat the patients and prepared the medicines. The work was done in the Infirmary, a place varying in size with the importance of the monastery, and set apart from the dormitory and the refectory of the monks themselves. Into the Infirmary were taken not only sick monks but also gentlemen, townspeople, and even labourers who applied for admission. The monastic doctor, besides his practice, had also to undertake the copying of medical texts. . . . In each great Benedictine monastery a real studium was formed, from which doctors were sent to the minor centres. The work of the doctor, however, was not limited by the monastery walls. At that time, when civilian medicine was generally represented by bone-setters and travelling quacks, the services of the monastery doctor were asked of the Prior whenever a person of importance or a member of his family fell ill in the neighbourhood. Permission was given freely and lasted during the whole treatment. The monastic doctor was never sent away on duty unless accompanied by another monk or by one of his pupils. Owing to his vow of poverty, he himself could receive no reward for his services, but splendid donations in lands, money or kind were made by great lords who willingly gave such gifts pro recuperata valetudine" (Capparoni, "Magistri Salernitani Nondum Cogniti". A Contribution to the History of the Medical School of Salerno [1923] 3-5).

Benedict's Rule mentioned a library without mentioning  the scriptorium that would later become an integral part of monastic life.

♦ Benedictine scriptoria, where the copying of texts not only provided materials needed in the routines of the community and served as work for hands and minds otherwise idle, also produced a desirable product that could be sold. Early commentaries on the Benedictine rule suggest that manuscript transcription was a common occupation of at least some Benedictine communities. Montalembert drew attention to the 6th-century rule of St Ferreol that regarded transcription as the equivalent of manual labor since it charges that the monk "who does not turn up the earth with the plow ought to write the parchment with his fingers" (Wikipedia article on Scriptorium, accessed 02-22-2009).

"Benedictine scriptoria, and with them libraries, became active not in the time of St. Benedict himself, but under the impulse of Irish (and later English) monks on the continent in the seventh and eighth centuries. The influence of the Anglo-Saxon missionaries, principally the Wessex-born Boniface and his allies and helpers, was especially strong in Germany, leading to the foundation of episcopal centers such as Mainz and Würzburg, and of monasteries that were to become famous for their libraries such as Fulda (744) and Hersfeld (770). The Anglo-Saxons brought with them a script and books from the well-stocked English libraries. In the course of time the preparation (and even sale) as well as consumption of books became a characteristic aspect of continental monastic life and the library a central part of the monastery" (M. Davies, "Medieval Libraries" in Stam (ed) The International Dictionary of Library History I [2001] 105).

•The image is a portrait of Benedict  from a fresco in the cloister of San Marco in Florence.

The Codex Climaci Rescriptus, a 7-8th century Greek uncial manuscript of the New Testament as well as a 6th century Christian Palestinian Aramaic uncial manuscript of the Old and New Testament, represents in its Christian Palestinian Aramaic version of the New Testament, "the closest surviving witness to the words of Jesus Christ. It preserves the Gospels in the nearest dialect of Aramaic to that which he spoke himself, and unlike all other translations, those here were composed with a living Aramaic tradition based in the Holy Land." 

The palimpsest-manuscript in Christian Palestinian Aramaic was probably written in Judea, the mountainous southern region of Israel, in the sixth century. It was turned upside down and palimpsested in Syriac in the ninth century. It is thought that it passed to St. Catherine's Monastery in Sinai, which was built by the Emperor Justinian I between 527 and 565.

The manuscript was

"acquired by the pioneering Biblical scholars and twins, Agnes Smith Lewis (1843-1926) and Margaret Dunlop Gibson (1843-1920) in three stages between 1895 and 1906 (all in the vicinity of Cairo, the manuscript having presumably been 'liberated' from its monastic home in order to supply leaves for the antiquity trade there). They were staunch Scottish Presbyterians with a consuming interest in the early versions of the Bible, and profound belief in female education, in an age when it practically did not exist. They used their own fortune to become celebrated scholars in the fields of Greek, Latin, Hebrew and Syriac, and thrilled by Tischendorf's discoveries at Sinai, they set off to St. Catherine's on a 'manuscript-hunting' expedition in 1892. They won over the difficult patriarch, partly through their insistence that nothing was to be abstracted from the library there, but only photographs taken, and on that expedition they returned with pictures of the Syriac manuscript which would make them famous, the fourth century Syriac Sinaiticus (their lives and its discovery are the subject of a recent book, J. Soskic, Sisters of Sinai, 2009, which was adapted for BBC Radio 4 this April). Having returned home to Cambridge they were tipped off by a mysterious informant that spectacular manuscripts were to be had through various dealers in Cairo. This was quite different from the questionable removal of manuscripts from ancient libraries, and the twins regarded it as a rescue mission, returning to Egypt and acquiring a single leaf of the present codex . . . in 1895. They acquired a further 89 leaves from the present manuscript in October 1905, and in April of the following year, while passing through Port Tewfik, Agnes Lewis bought two palimpsest - manuscripts on a whim. Upon returning home she discovered that one contained another 48 leaves of the present manuscript, and that the two portions were separated by only a single leaf - that which the twins had acquired first in 1895. They published the entire text in 1909. Only one other leaf of this scattered manuscript has emerged in the last century. . . . On the death of the twins the manuscript was left to Westminster College, Cambridge."

♦ Westminster College consigned the Codex Climaci Rescriptus to auction at Sotheby's London for sale on July 7, 2009 with an estimate of £400,000- £600,000. The quotations in this note were taken from Christopher de Hamel's much longer illustrated description of the manuscript as lot 14 in the catalogue of Sotheby's sale L09740, Western Manuscripts and Miniatures. According to Sotheby's website, the manuscript failed to sell in the auction. In June 2010 it was publicized that the Green family, owners of the Hobby Lobby chain of craft stores, bought the manuscript for their planned Bible museum expected to be located in Dallas, Texas.

The Ashburnham Pentateuch (sometimes called the Tours Pentateuch), a late 6th or early 7th century illuminated manuscript of the Pentateuch, has been described by some scholars as Spanish, but may have come from North Africa, Syria or Italy. Though it originally contained all five books of the Pentateuch, it now lacks the whole of Deuteronomy as well as sections of the other five books.

"It has 142 folios and 19 miniatures, and measures 372mm by 321mm. It is thought to have originally included as many as 68 full page miniatures. A full page table containing the Latin names of the books and Latin transliterations of the Hebrew names serves as a front piece to Genesis. The table is enclosed within a curtained arch. Some of the full page miniatures, such as that containing the miniature of Noah's Ark (folio 9r), contain a single scene. Other of the full page miniatures, such as that telling the story of Cain and Abel, contain many scenes which are placed in a register, with each scene having a different color background" (Wikipedia article on the Ashburnham Pentateuch, accessed 11-26-2008).

♦ The manuscript was at Tours before it was stolen in 1842 by mathematician, historian of science, palaeographer, and book thief, Guglielmo Libri, and sold by Libri in 1847 along with many other stolen manuscripts, to Bertram Ashburnham, 4th Earl of Ashburnham. In 1888 after a long dispute with the French government and the curator of manuscripts at the Bibliothèque nationale, Léopold Delisle, the fifth Earl of Ashburnham sold the manuscript to the Bibliothèque nationale de France, where it is preserved today.

From the early seventh century until roughly the year 1200 monastic scriptoria and other ecclesiastic establishments remained essentially the only customers for books, and they had a virtual monopoly on manuscript book production. Most codices were written on vellum or parchment, but as late as the eighth century some codices were written on papyrus.

When I accessed the website of German rare book and manuscript dealer Dr. Jörn Gunther on 06-16-2009 I found the following manuscript offered for sale under the heading, "The Oldest Western European Codex in Private Hands."

The history of the writing of this manuscript as understood through its palaeography described below, the texts which it contains, and the details of its provenance reflect significant aspects of Carolingian manuscript production, and the history of collecting medieval manuscripts. Here is Dr. Gunther's description:

"Canones conciliorum. Manuscript on vellum, written by an insular scribe. Northern Italy, c.775.

"223 x 175 mm. 94 leaves. Internally complete, lacking one gathering at the beginning and some leaves at the end. The quires are signed with Roman numbers from II-XIII.– Written space fol.1-64v:165 x 130 mm, on fol. 65-94v: 175 x 135 mm, ruled in blind for one column of 24-25 and 19-20 lines. fol. 1-60v written in half uncials and precarolingian minuscules, fol. 61-94v in precarolingian minuscules in olive grey, light brown and dark brown ink. Many capitals in uncial with simple decoration with penwork ornament, including one initial in a form of a fish.– In fine condition for a volume of such antiquity. Right upper corner on fol.70 torn away with some loss of text.– 19th-century brown morocco by the Parisian bookbinder Marcelin Lortic.

"PROVENANCE:

"1. The codex was written by an insular scribe from Ireland or Northumbria, working in Northern Italy.

2. Monastery of Reichenau in Germany (at an early date).

3. Bound in Paris by Marcellin Lortic who opened his shop in the Rue St Honoré in 1840.

4. Ms. 17.849 of the collection of Sir Thomas Phillipps (1792-1872); his oldest western manuscript and one of Phillipps's greatest treasures.

5. William Robinson Ltd., cat. 81: Precious Manuscripts, Historic Documents and Rare Books, London 1950, no. 92.

6. Dr. Martin Bodmer, Geneva, Switzerland (1899-1971).

7. Peter and Irene Ludwig, Aachen, ms.XIV 1 (1978-1983).

8. The J. Paul Getty Museum, Malibu (1983-1988).

9. Now: Private collection, Europe.

"TEXT:

"fol.1-58: Canones Conciliorum– fol.58-77v: Symmachiana, so-called ‘Symmachian forgeries’– fol.77v-94v: Decretals of Siricius, Boniface I, Innocent I, Zosimus, and Celestine I; end of text missing. Following the death of Pope Gelasius I († 496) Dionysius Exiguus (c.470- c.555), a skythian monk in Rome, was commissioned by the papal court to compile the ‘Collectio Dionysiana’ which united the canons of the councils and papal decretals. This anthology was the first compilation of this kind carried out in the Western Church and forms the foundation of Western Latin canon law. The compilation of Dionysius exists in three editions of which the codex at issue represents the so-called ‘Dionysiana II’. Manuscripts of the ‘Dionysiana II’ are rare uncombined with other texts, while only one codex preserved as a complete book is of an earlier date: ms.fol.v.II.3 in St Petersburg (Rossijskaja Nacionalnaja Biblioteka), a Burgundian codex dating from the 7th century (CLA 11 no.1061). Apart from this manuscript only a fragment in the Biblioteca Amploniana in Erfurt (Ampl.2°74) can be dated earlier having been written during the second half of the 6th century, presumably in Italy.

"After the Canones Conciliorum there follows as an insert, which cannot be found in this form in comparable collections, the so-called ‘Symmachian forgeries’, dating from thetime of Pope Symmachus (498-514; see Landau 1998). He was elected pope after the death of Anastasius II by a certain faction; a second faction declared the archpriest Laurence as pontiff. As a result of the turmoil which followed the elections, the ‘Symmachian forgeries were written, which strove to demonstrate by means of fictitious papal case files that the pope would not be subject to a human court of justice, but solely to the judgment of God.

"The third component of the book comprises decretals compiled under the pontificate of Pope Hormisdas (514-523) and contains the complete corpus of the old canon law, which consisted of the decrees of the Middle Eastern, Greek, African and Roman councils as well as those of the popes. The compilation is known as the Sanblasianus edition, because it was edited on the basis of a manuscript which first belonged to St. Blasien in the Black Forest and then to St. Paul in Lavanttal (Stiftsbibliothek, cod.7/1). Only seven manuscripts of this edition are preserved, three of which are older than the present codex (Paris, BN, lat. 3836, dating from the second half of the 8th century; Cologne, Dombibliothek, ms.213 dating from the first third of the 8th century and the Sanblasianus, which also dates from the mid-8th century). The oldest manuscript within the group (Cologne, Dombibliothek, ms.213) was written in Northumbria and brought to Cologne in the 8th century.

"The Canones conciliorum gained such an importance in subsequent decades that the text was duplicated again and again in the Frankish empire and from this later period over 100 manuscripts are preserved in the Frankish area alone. The codex was written by three different scribes. The main scribe (fol.2-60v) wrote the Canones conciliorum as well as the opening of the ‘Symmachian forgeries’. Palaeographic analysis reveals that this scribe came to the continent from an insular scriptorium and finally settled in northern Italy. It is not ascertainable, however, in which northern Italian scriptorium the manuscript was written. The palaeographic indications cannot be used to date the manuscript to a specific year, but it is very likely that it was executed in the years around 775, making the present manuscript contemporary with the famous copy of the Canones compilation, the so-called Dionysio-Hadriana,which was presented to the Frankish ruler Charlemagne (768-814) by Pope Hadrian I (772-795) in Rome in 774. After the presentation, the wording of the statute book was made compulsory for the Frankish empire, and numerous transcripts of the codex, originally kept in Aachen and now lost, were produced."

Note: I reformatted the description somewhat for this database, and left out the bibliographical references cited at the end of Dr. Gunther's description. The web page, which may be accessed at the link under Dr. Gunther's name at the beginning of this database entry, also reproduces three images of the manuscript. The hyperlinks are my additions.

The earliest surviving codex of the earliest cookbook, entitled De re coquinaria, and attributed to Apicius, a gastronome of the first century, was copied at the monastery of Fulda, Germany, by seven different monks. It is written in language that is closer to Vulgar than to Classical Latin, partly in Carolingian minuscule and partly in Anglo-Saxon script of the Fulda type, and because so many hands were involved, it is thought that this manuscript may have been used for training monks in the Fulda scriptorium. The manuscript

"was known to Poggio in 1417, but remained at Fulda until brought to Rome by Enoch of Ascoli in 1455. It subequently had a long series of Italian owners, beginning with Baslios Bessarion, and had sojourned in France and England before it emigrated to the United States in 1929" (L.D. Reynolds, Texts and Transmission [1983] 13-14).

The manuscript of 57 leaves is preserved in the New York Academy of Medicine Library, where it was recently restored and rebound. 

"The book had been rebound in the 18th century by a French book dealer in mottled calf with gilt edges. The book dealer had removed the 9th century binding to separate the Apicius from a text by Hippocrates—the two had been bound together. (The Hippocrates now resides in a collection in Geneva, Switzerland, and is bound in the same 18th century mottled calf as formerly on the Academy’s Apicius manuscript)."

Marcus Gavius Apicius, was a gastronome in the age of Tiberius,

"but the cookbook that bears his name, reveals strands and layers which been selected and combined from various sources, medical and agricultural as well as purely gastonomic, and successively added, as time went on, to what remains of the original Apician recipes. The Excerpta of the Ostrogoth Vinidarius, made a little later, [and preserved in a single eighth century manuscript,] is a highly abbreviated version of a similar compilation. These works were subsequently transmitted, except for the inevitable excerpting, essentially in the forms in which they existed in antiquity" (Reynolds & Wilson 235).

A slightly later copy of Apicius, written at in the monastery at Tours, is preserved in the Vatican Library. The text was first printed in 1483.

Reynolds & Wilson, Scribes and Scholars, 3rd ed. (1991) 145-46, 235, 263.

"It was said that Baghdad alone had over one hundred booksellers in 891, and that at the height of its cultural glory it had some thirty public libraries" (Harris, History of Libraries in the Western World [1999] 79).

Caliph of Cordoba in the Al-Andalus (Moorish Iberia), Al-Hakam II was fond of books and learning, and amassed a vast library that may have contained over 400,000 books. During his reign a massive translation effort was undertaken, and many books were translated from Latin and Greek into Arabic. He formed a joint committee of Arab Muslims and Iberian Mozarab Christians for this task.

The catalogue of the royal library "alone consisted of forty-four volumes. Under Al-Haim II (961-976) this library was reported to have given employment to over 500 people. . . . Elsewhere at Moslem Spain there was a total of seventy libraries in the 10th century, several in Toledo. In addition to the royal library, these included libraries in universities in Cordoba, Seville, Malaga, and Granada , among others, and in numerous mosques. Private libraries flourished in Moslem Spain, and it was said that Cordoba was the greatest book market in the western world in the 10th century." (Harris, History of Libraries in the Western World 4th ed [1999] 81).

Muhammad ib Ishaq (Abu al Faraj) called Ibn Abi al-Nadiim (Abi Ya'qub Ishaq al-Warraq al-Baghdadi), a bookseller, stationer and "court companion" of Baghdad, publishes  Al- Fihrist, an annotated index of the books of all nations extant in the Arabic language and script.

The English translator of al-Nadim's work, Bayard Dodge, suggests that Al-Nadim, working in his father's bookshop, "wished to assemble a catalogue to show customers and to help in the procuring and copying of manuscripts to be sold to scholars and book collectors" (Dodge p. xxiii).  This was the earliest universal bibliography.

"It is reasonable to believe that when al-Nadim died the original copy of his manuscript was placed in the royal library at Baghdad, while other copies made by scribes about the time of his death were assigned to his family bookstore, where some of them were probably sold to customers who came to purchase interesting books. Farmer says: ' Yagut (d. 626/1299) averred that he used a copy of the Fihrist in the handwriting of al-Nadim himself. The lexicographer al-Saghani (650/1252) made a similar claim. Either of these autograph copies may have been in the Caliph's library, which was destroyed utterly in the sacking of Baghdad in 656/1258)' "(Dodge p. xxii).

This work did not appear in print until an edition of the Arabic text was issued by orientalist Gustav Flügel in Leipzig, 1871-72.

The text was first edited from the earliest manuscripts and translated into English by Bayard Dodge as The Fihrist of al-Nadim. A Tenth-Century Survey of Muslim Culture, 2 vols., New York, 1970. For the translation of part one Dodge used MS 3315 in the Chester Beatty Library, Dublin:

"We know nothing about the history of the manuscript until it was placed in the library of the great mosque at 'Akka, when the notorious Ahmad Pasha-al-Jazzar was ruler there at the time of Napoleon Bonaparte. After the fall of Ahmad Pasha, the manuscript was evidently stolen from the mosque. It was probably at this time that it became divided, as the Beatty Manuscript includes on the first half of Al-Fihrist. In the course of time the dealer Yahudah sold his first half to Sir Chester Beatty, who placed it in his library at Dublin" (Dodge p. xxviii).

For the translation of part two Dodge used MS 1934 which "forms part of the Shahid 'Ali Pasha collection which is now cared for in the library adjacent to the Sulaymaniyah Mosque at Istanbul. In the library catalogue it is described as 'Suleymaniye G. Kutuphanesi kismi Shetit Ali Pasha 1934" (Dodge p. xxx).

Dodge indicated that he believed that each separate portion represents half of the same manuscript made shortly after the death of al-Nadim.

"It is generally accepted that by c. 1170 at latest there were many glossed books of the Bible being made in Paris, and the surviving manuscripts display characteristics indicative of commercial production.

"The characteristics include simple matters of method and routine; the regularization (after two or three decades' experimentation) of the juxtaposition of gloss and text. It is not just the fact that these conventions emerged but also their rapid diffusion that, together, suggest centralized production in quantity—the concentrated and repetitive output associated with urban commercial production. There is even an informal and quite early (c. 1170?) accounting, jotted down on the back pastedown of a Parisian glossed Book of Numbers owned by Ralph of Reims, recording payment for books completed and the purchase of parchment for books yet to be written: 'Pentateuch, Job, Twelve Prophets, Matthew, and Luke, with parchment for the Psalter and the Epistles and note (?): 28 livres and 10 sous'; this is a direct indication of commercial production.

"If in the twelfth century there was no booktrade in the way it developed later in Paris; nevertheless there was clearly a structure of some sort, capable of producing a significant number of large books with complex layouts. We find most attractive the hypothesis that the large urban abbeys of Paris, and specifically the abbey of St-Victor, fostered the growth of the city's commercial booktrade by engaging lay scribes and illuminators to make manuscripts, when necessary. St-Victor's growth among Parisian abbeys to the first rank in importance in the middle of the twelfth century is well documented. By providing work for lay artisans, the abbey would in effect have encouraged the development of independent métiers. In this context, a well-known passage from the Liber ordinis of St-Victor (c. 1139) deserves to be cited once again: 'All writing,whether done inside the abbey or out, pertains to the office of the armarius [librarian]; he should provide the scribes with parchment and whatever else is necessary for writing, and he is responsible for hiring those who write for pay'. The implication is double: there were scribes for hire in Paris before the middle of the twelfth century, and St-Victor hired them (R. Rouse & M. Rouse, Manuscripts and their Makers. Commercial Book Producers in Medieval Paris 1200-1500 I [2000] 26).

Beginning around the year 1200, European monasteries no longer remained the exclusive purchasers of books, and manuscript book production started moving from the exclusive domain of monastic scriptoria to the secular community. Intellectual life began to be increasingly centered outside the monasteries at the universities. There scholars, teachers and students, in cooperation with artisans and craftsmen, organized an active manuscript book trade.

By the second quarter of the 13th century a much increased demand for books for individual use encouraged the production of increasing numbers of picture books. Illustrated accounts of the lives of popular saints and other historical characters were typical productions.

In the Fourth Crusade Norman crusaders, attempting to form a Latin Empire, sacked Constantinople, almost completely destroying the city. They burned the Imperial Library which preserved much of the knowledge of the ancient world.

The 1204 sack of Constantinople has been described as one of the most profitable and disgraceful sacks of a city in history. What the Crusaders did not plunder they burned. It is estimated that more destruction was done to the city and its libraries during this sack than  occurred during the seige of Constantinople by the Turks in 1453. It is also believed that crusaders may have sold some Byzantine manuscripts to Italian buyers.

The earliest dated evidence of the pecia system of providing "certified texts" of manuscripts in university bookstores is the Vercelli contract of 1228: 

" 'Item habebit commune Vercellarum duos exemplatores, quibus taliter providebit quod eos scolare habere possint, qui habeant exemplantia [exemplaris?] in utroque iure et in Theologia compretentia et correctam tam in text quam in gloxa, ita quod solutio fiat a scolaribus pro exemplis secundum quod convenit ad taxationem Rectorum' ('Item, the commune of Vercelli will provide two exemplatores who are to have exemplaria in both laws and in theology, complete and correct both in text and gloss, so that the scholars may pay for their copies at a price set by the rectors'). This contract was signed on 4 April 1228 between certain masters of the University of Padua who wished to secede from that university and representatives of the commune of Vercelli, who were ready to bid generously in privileges to attract a new university to their city. The University of Padua was then only six years old and it is not credible that in such a short space of time the pecia could have been created there. The University of Padua was formed in 1222 by a secession from the University of Bologna, and it seems to be plain that it was in that older university that the pecia system had its origin about the year 1200

"The spread of the system

"The pecia system existed in at least eleven universities: at Bologna, Padua, Vercelli, Perugia (founded in 1308), Teviso (1318) and Florence (1349) in Northern Italy: at Salamanca in Spain (1254) and Naples in Southern Italy (1224); at Paris and Toulouse in France; and at Oxford. No trace of it has been found at Salerno, Montpellier, Orléans, Angers, Avignon or Cambridge, or in any of the German or Dutch universities. Actual exemplaria and pecia copies were identified by Destrez from Bologna, Paris, Oxford and Naples, but none from the other seven universities have yet been recognised; and we only know that they provided for the pecia system in their statutes" (Pollard, "The pecia system in the medieval universities," Parkes & Watson (eds) Medieval Scribes, Manuscripts & Libraries. Essays presented to N.R. Ker [1978] 147-48).

"Generally speaking, the purpose of the system was to provide reliable copies of the works of contemporary scholastic authors in law, theology, philosophy and pastoral aids, and it worked somewhat as follows. A university bookseller (stationarius) would obtain an autograph copy of an author's work, or, if that were hard to read (or if the author were long dead), a fair copy or other reliable exemplar of the work. From this exemplar the stationer made a copy or exemplar of his own on equal quires or pieces (peciae), each one of which was numbered in sequence, so that the stationer, when requested for copies of the text in question, could hire out these pieces in turn for copying to professional writers. . . ." (L. E. Boyle, Peciae, Apopeciae, and a Toronto MS. of the Sententia Libri Ethicorum of Aquinas, in Ganz (ed.) The Role of the Book in Medieval Culture [1986] 71).

The earliest surviving statute concerning the regulation of the book trade in Paris by the University occurred on this date. 

"Libraires represented a serious potential danger to the university, because they controlled the supply of books without which the university would be crippled. Therefore, the university's regulations of libraires concentrated first and foremost on the selling of 'used' university texts, attempting by a variety of means to ensure that the libraire did not swindle either the seller or the buyer, and that he took only a modest commission. The libraires had to guarantee their compliance by posting a bond. . . .

"In addition to regulating the sale of existing books, the university also regulated the rental of examplars from which students and masters could copy, or hire someone to copy, new manuscripts of their own. In this the university initially must simply have put its stamp of approval on a process already informally in operation. To judge from the wording of surviving regulations through the years, the university evinced concern primarily with rental price and correct texts. In 1323 the stationers were forbidden to withdraw an examplar from circulation without  first informing the university. . . ." (Richard A. Rouse and Mary A. Rouse, Manuscripts and their Makers. Commercial Book Producers in Medieval Paris 1200-1500 [2000] 76-77).

The Mayor and Aldermen of the City of London approve the formation of a fraternity, or Guild of Stationers.This guild consists of booksellers who copy and sell manuscript books and writing materials, limners who decorate and illustrate them, and bookbinders. Each group appoints a warden to control them and regulate their trade.

Enea Silvio Piccolomini, later Pope Pius II, reported that in Frankfurt the year before, "a marvelous man" had been promoting the sale of a printed Bible. Piccolomini stated that he saw parts of the book and that it had such clear, large lettering that one could read it without eye glasses. He also noted that every copy had been sold.

The Biblia Latina, printed by Johannes Mentelin by 1460 (ISTC No. b00528000), is the second edition of the Bible and first book printed in Strasbourg. Twenty-eight copies survive, all on paper. There is a copy in the Scheide Library at Princeton. "Until Scheide's purchase in 2001, no copy had been sold for more than 75 years."

Printer Peter Schöffer issues a broadside offering for sale 21 printed books issued from 1458 to 1469. (ISTC no. is00320950).

"Sixteen of the items can be identied as products of Schöffer's own printing workshop in Mainz, while the rest probably were printed by Ulrich Zell in Cologne. All the works listed are in Latin, beginning with the edition of Bible co-produced by Fust and Schöffer in 1462, followed by theological, legal and humanist texts as well as a treatise dealing with merchants' contracts. The 13th book title, which has been cut off this copy, was certainly the Psalter edition of 1459, whose printing types are reproduced in a sample below the booklist. A note added by hand on the lower margin of the page indicates that the bookseller could be contacted in the in 'Zum wilden Mann', probably referring to a locality in Nuremberg.

"The advertisement is characteristic for the early phase of organised book trade. The intinerant bookseller — seldom the printer himself — travelled with an assortment of books wherever demand was to be found, leaving printed lists with a handwritten indication of where he was staying, for potential customers, the latter being mostly members of universities or monasteries, but also other citizens with some education. Such book lists contained no prices, since these were to be negotiated between the bookseller and the buyer" (Wagner, Als die Lettern laufen lernten. Medienwandel im 15. Jahrhundert (2009) no. 77).

Only a single copy of this broadside survived. It is preserved in the Bayerische Staatsbibliothek, München:

"It survived, albeit as binders waste cut in two halves and pasted printed side down on the inner cover of a manuscript (Clm 458) with astronomical-mantic texts which was owned by the well-known humanist of Nuremberg, Hartmann Schedel. At the end of the 19th century, it was discovered and removed from the book binding" (Wagner, op. cit.).

♦ You can download a digital facsimile of this broadside from the Bayerische Staatsbibliothek website at this link: http://inkunabeln.digitale-sammlungen.de/Exemplar_S-207,1.html, accessed 01-03-2010.

The Venetian Senate grants the German printer Johannes de Spira (Speyer) a five-year monopoly on printing in the city.

This was the first monopoly on printing granted by a European government.

Speyer initiated printing in Venice in 1469, issuing Cicero's Epistolae ad familiares in an edition of 100 copies (ISTC no. ic00504000). "Four months" later he issued a second edition of 300 copies (ISTC no. c00505000). He also published the first edition of Pliny's Historia naturalis in a printing of 100 copies (ISTC no. ip00786000). From the text of the decree it appears that the Venetian Senate granted the monopoly to Speyer as a way of supporting his ongoing work, which they much admired.

The manuscript of the grant is preserved in the Venetian State Archives (ASV, NC, reg. 1, c.55r). It is reproduced in color and translated in  Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org, from which I quote:

"The art of printing books has been introduced into our renowned state, and from day to day it has become more popular and common through the efforts, study and ingenuity of Master Johannes of Speyer, who chose our city over all the others. Here he lives with his wife, children and whole household; practices the said art of printing books; has just published, to universal acclaim, the Letters of Cicero and Pliny's noble work On Natural History, in the largest type and with the most beautiful letter-forms; and continues every day to print other famous volumes so that [this state] will be enriched by many, famous volumes, and for a low price, by the industry and fortitude of this man. Whereas such an innovation, unique and particular to our age and entirely unknown to those ancients, must be supported and nourished with all our goodwill and resources and [whereas] the same Master Johannes, who suffers under the great expense of his household and the wages of his craftsmen, must be provided with the means so that he may continue in better spirits and consider his art of printing something to be expanded rather than something to be abandoned, in the same manner as usual in other arts, even much smaller ones, the undersigned lords of the present Council, in response to the humble and reverent entreaty of the said Master Johannes, have determined and by determining decreed that over the next five years no one at all should have the desire, possibility, strength or daring to practice the said art of printing books in this the renowned state of Venice and its dominion, apart from Master Johannes himself. Every time that someone shall be found to have dared to practice this art and print books in defiance of this determination and decree, he must be fined and condemned to lose his equipment and the printed books. And, subject to the same penalty, no one is permitted or allowed to import here for the purpose of commerce such books, printed in other lands and places. . . ."

"Scholars and writers too went more readily to Venice than to any other city, in their search for publishers, attracted by the excellence of the local paper stock and typography as much as relatively liberal atmosphere in the city. In contrast to other early modern states where censorship and state regulation took on early to encourage and protect the nascent trade, in Venice, the trade was left virtually uncontrolled in the first years of its development. It was only in 1515 when Andrea Navagero was appointed for the task of the official revision of books that the state began to exercise a degree of control over what was printed. Even then, this literary censorship was primarily concerned with the quality of printed books to secure commercially successful correct editions. Thus the natural play of economic forces had left printers free to establish their printing enterprises and compete against each other in an open market. In other words, Venice was an ideal place from which to begin the 'printing revolution.'

"The rapid expansion of the printing industry leaves no doubt that Venice was the first city in the world to feel the full impact of printing, and to experience the most important revolution in human communications, and a favourable territory in which the system of copyright could develop. This, however, did not make Venice into a champion of literary property. It would take a long time before the copyright holder was identified with the moral or aesthetic personality of the writer.

"The best-known explanation for the emergence of author's rights is a technological one, viewing the need to protect literary production as a consequence of the invention of printing. In a manuscript culture, texts were treated as common property, and copying another man's work was often considered more of a favour than an injury. . . .

"It is not so much printing as the existence of a market in books and ideas that introduced concepts of intellectual property. As the literary market increased in importance, authors, who might well be writing for a living and competing for recognition, began to stress the distinctiveness of their products, in other words their intellectual or literary originality. Printing encouraged the development of such a market and expanded the concept of a book as a commodity (selling object). However, the concept of a book as a particular category of commodity - the work of the mind - was slow to develop" (Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org, accessed 07-24-2009).

At Bruges, Belgium, English merchant, diplomat, writer, and printer William Caxton issues with scribe, bookseller and printer, Colard Mansion, the first book printed in English. It is Caxton's translation of Raoul Lefèvre's The Recuyell of the Histories of Troye. ISTC no.  il00117000.

It is thought that Caxton learned the art of printing from Mansion.

Aboard the caravel Niña, sailing back from the New World, Christopher Columbus wrote an open letter to the monarchs of Spain, describing his monumental discoveries. When he docked in Lisbon, Portugal on March 14 Columbus added a postscript and sent the letter to the Escribano de Racion, Luis de Santangel, finance minister to Ferdinand II and the high steward or comptroller of the king's household expenditures. Santagel had convinced  Isabella I to back Columbus's voyage eight months earlier, and Santagel was the first convey the news of Columbus's success to Queen Isabella and King Ferdinand.

Santagel turned over the text of Columbus's letter to printer Pedro Posa in Barcelona, and as early as April 1, 1493, Posa issued a 4-page pamphlet in small folio entitled Epistola de insulis nuper inventis (Letter on Newly Discovered Islands). Only one copy of the original printing survives. It was discovered in Spain in 1889, and passed through the hands of antiquarian bookseller Maisonneuve in Paris before reaching antiquarian bookseller Bernard Quaritch in 1890. In 1892 Quaritch sold it to the Lenox Library founded by James Lenox. This library later merged with the New York Public Library where the pamphlet is preserved today. ISTC no. ic00756000.

Columbus's letter was the first eyewitness news account to become a bestseller. The second edition, published in Spanish in Valladolid, also survives only in a single copy. ISTC no. ic00756500.

The third edition, in Latin, was published in Rome by Stephen Plannck, probably in early May 1493. ISTC no. ic00757000.

The first illustrated edition, with woodcuts supposedly copied from drawings by Columbus, was issued by Michael Furter, for Johann Bergmann, de Olpe, in Basel, Switzerland, probably in May, 1493. ISTC no. ic00760000.

♦ You can view a digital facsimile of the Basel edition from the Bayerische Staatsbibliothek, München, at this link: http://daten.digitale-sammlungen.de/~db/0002/bsb00026585/images/index.html?id=00026585&fip=67.164.64.97&no=6&seite=8, accessed 01-02-2010.

Giuliano Dati translated the letter into Italian verse for publication in Rome June 15, 1493. ISTC no. id00045890. Dati's version was reprinted in Florence and Brescia in 1493. Of each printing of Dati's version only one copy survived.

Carter & Muir, Printing and the Mind of Man (1967) no. 35.

Printer Anton Koberger of Nuremberg publishes the Liber chronicarum written by the physician Hartmann Schedel.

A large-folio compendium of history, geography and natural wonders, the Liber chronicarum contained 298 printed leaves, including 1,809 illustrations from 645 woodcuts by or after painter and woodengraver Michael Wohlgemut (Wohlgemuth), his stepson Wilhelm Plydenwurff, and possibly some by Koberger's godson, the young Albrecht Dürer, who was apprenticed to Wohlgemut until 1490. Certain woodcuts were reproduced more than once, sometimes for the depiction of different people or cities. The images include a full-sheet map of Europe, a Ptolemaean world map, large and small city views, biblical and historical scenes, and portraits.

♦ You can view a black & white digital facsimile of the Latin edition from the Biblioteca de Andalucía at this link:  http://www.juntadeandalucia.es/cultura/bibliotecavirtualandalucia/catalogo_imagenes/grupo.cmd?path=10150, accessed 01-02-2010.

Koberger also issued a German translation by Georg Alt, entiled Das Buch der Croniken und Geschichten on December 23 of the same year.

♦ You can view a digital facsimile at the Herzogin Anna Amalia Bibliothek, Weimar at this link: http://ora-web.swkk.de/digimo_online/digimo.entry?source=digimo.Digitalisat_anzeigen&a_id=4218, accessed 01-02-2010.

Though the information in the Nuremberg Chronicle was rapidly superceded, it remained famous for its extraordinary graphic design, its printing, its woodcuts and descriptions of cities. One of the woodcuts depicts the paper mill established in Nuremberg by Ulman Stromer in 1390.

Probably because it was such a large and impressive volume, the work was a great commercial success, with an unusually large printings for a fifteenth century book:

"The Latin edition was printed in at least 1400 copies, of which more than 1200 still exist today" (Wagner, Als die Lettern laufen lernten. Medienwandel im 15. Jahrhundert [2009] no. 11 (describing the annotated copy of the author, Hartmann Schedel, which is preserved at the Bayerischen Staatsbibliothek, Munich).

Most probably fewer copies of the German edition were printed, as it remains rarer on the market. Between roughly 1980 and 2009 there were 188 auction sales recorded for the Latin edition and 35 sales of the German edition, some sales presumably representing the same copies being resold.

Remarkably, the original manuscript exemplars showing the exact arrangement of the text and illustrations for both the Latin and German editions, as well has other original documents pertaining to the publication of these works, were preserved. The exemplar for the Latin edition is in the Stadbibliothek Nürnberg. The exemplar for the German edition is in the Nuremberg City Library. Adrian Wilson, a book designer and historian of book design from San Francisco, issued an outstanding book in which he showed the relationship between these manuscript exemplars and the printed editions: The Making of the Nuremberg Chronicle (1976).

ISTC no. is00307000 (Latin). ISTC no. is00309000 (German).

The first illustration of a printing press and printing office in a printed book appears in La grât danse macabre, published in Lyons by Mathias Huss. The image shows death visiting a printing office and a bookseller's shop.

Huss's book was one of numerous editions of The Dance of Death, or Danse macabre. 

"The first known illustration of a printing press was certainly not drawn to enlighten future generations as to its characteristics. It appears in an edition of the Danse Macabre, published in Lyons by Mathias Huss in 1499. Death is depicted carrying off a printer and a bookseller, and, such as it is, we may take it that the cut illustrates a French fifteenth-century printing office. Unfortunately, although the general construction of press can be made out, the very aspect which would have been of most interest—the way in which the platen was hung—is obscured by the struggling figure of the pressman. However, the illustration does show clearly the supports, or stays, between the top of the top of the press and the ceiling, which were found to be necessary to keep the press stable; a course wooden screw, and a straight pole or bar. Particularly interesting is the plank held up by a stay and on which there is a box, to which we may presume a tympan is hinged by what look like leather straps. No winding mechanism is visible and it may be conjectured that the box was pushed under the platen by hand at this date. The other pressman (or 'beater') is holding an ink-ball, which hardly changed in appearance until it was replaced by a roller some three hundred and fity years later. Two ink-balls were used to ink the forme. They were made of untanned leather or sheepskin, stuffed with wool or hair, and nailed around a wooden handle or stock. Ink was spread out on to a slab and rubbed out thinly with a wooden device known as a brayer.

"The little rest, or gallows, give additional credence of the idea that there was a tympan to be thrown back on it when the forme was being inked. The unusual position of the pressman, who usually stood next to his companion, is probably the result of the artist's license as he wanted to show the figure of Death full face" (Kinsman, The Darker Vision of the Renaissance: Beyond  the Fields of Reason [1974] 25).

Brother Juan Diez, a companion of Hernando Cortès (Hernán) in the conquest of New Spain, publishes the Sumario Compendioso in Mexico City at the press of Juan Pablos.

The Sumario Compendioso was the earliest treatise on mathematics published in the western hemisphere, and also the first textbook on any subject besides religious instruction to be printed outside of Europe.

In his introduction to The Sumario Compendioso of Brother Juan Diez, the Earliest Mathematical Work of the New World (1921), a facsimile and translation, David Eugene Smith writes of the existence of possibly four copies including one (incomplete) in the Biblioteca Nacional at Madrid, which he used for his edition, and a copy in the British Library.

"Not again in the sixteenth century did the Mexican printers publish any work on mathematics, except for a brief Instrucción Nautica which appeared in 1587. The press was generally true to its early purpose to issue only books relating to the conversion of the native inhabitants to the way of the cross" (Smith, introduction cited above, 6).

To check the spread of the Protestant Reformation, the Catholic Queen Mary and King Philip grant a royal charter to the Worshipful Company of Stationers of London, thereby concentrating the entire printing business in the hands of the members of the Stationers Company.

"The Stationers' charter, establishing a monopoly on book production, ensured that once a member had asserted ownership of a text (or "copy") no other member would publish it. This is the origin of the term 'copyright'. Members asserted such ownership by entering it in the "entry book of copies" or the Stationers' Company Register."

The Stationers Company charter was confirmed two years later by Queen Elizabeth, but this time with the goal of suppressing Catholicism.

Georg Willer, a bookseller in Augsburg, issues the first catalogue of the Frankfurt Book Fair. This is the first comprehensive book catalogue issued in Germany. The quarto pamphlet of 10 leaves lists 256 books under the title of Novorum Librorum quos Nundinae Atumnales, Francoforti Anno 1564 celebratae, Venales Exhibuerent.

"The catalogues of the Frankfurt Book Fair, initiated by the Augsburg bookseller George Willer in 1564, represent the first international bibliographies of a periodic character, attempting to list every six months all new publications issued in Europe, and they can be considered the prototype of today's Books in Print. The books are arranged by subject; for the first time, place, publisher, and date are always mentioned" (Breslauer & Folter, Bibliography: Its History and Development [1984] no. 24). 

Breslauer and Folter noted that in 1984 there was no copy of the first edition of Willer's catalogue in the United States.

Printer Pedro Ocharte, born Pierre Ocharte in Rouen, France, working in Mexico City, issues Opera medicinalia by the Spanish physician, Francisco Bravo. Ocharte had married the daughter of Juan Pablos, the first printer in the New World, and inherited his equipment. Opera medicinalia includes a woodcut title border and a few botanical woodcuts, including images to distinguish the false sarsaparilla of Mexico from the true Spanish sarsaparilla of Dioscorides. It was the first medical book printed in the Western Hemisphere, and its botanical images were the first illustrations of plants printed in the Western Hemisphere.

Of the original edition only two copies are known, of which the only complete copy is at the Universidad de Puebla, Mexico. In 1862 American bookseller and bibliographer Henry Stevens purchased an incomplete copy at the sale of the library of Guglielmo Libri in London. This he resold to the American collector James Lennox. This copy is preserved in the New York Public Library.

In 1970 London antiquarian booksellers Dawsons of Pall issued a facsimile of the complete Universidad de Puebla copy with a companion volume of commentary by Francisco Guerra. The two volumes were printed on hand-made paper by J. Barcham Green, Ltd. and bound in parchment by Zaehnsdorf in London. The edition was limited to 250 hand-numbered copies.

Bookseller and bibliographer Andrew Maunsell publishes The First Part [the Seconde Parte] of the Catalogue of English printed Bookes.

Maunsell produced the first trade bibliography of English books, giving author, translator where applicable, a title full enough to ensure definite identification, format, and printer or bookseller and date. It listed those books printed in the preceding fifty to sixty years and which were still available from publishers and booksellers. The first part, consisting of 123 pages, listed theology--excluding anti-Reformation literature. The much shorter second part, consisting of 27 pages, listed "the Sciences Mathematicall, as Arithmetick, Geometrie, Astronomie, Astrologie, Musick, and the Arte of VVarre, and Nauigation; and also of Phisick and Surgerie."

In his Beginnings of Systematic Bibliography (2nd ed 1940) Theodore Besterman characterized Maunsell's work as the one in which a "a real technique of book-description is made use of for the first time" (p. 29). The Catalogue is also an alphabetical subject bibliography, with the larger subjects sub-divided and in each section works arranged alphabetically by author's surname—one of the earliest uses of the surname for indexing.

In his dedication to "Worshipfull the Master, Wardens, and Assistants of the Companie of Stationers and to all other Printers and Booke-sellers in generall" Maunsell wrote of learned men that

"have written Latine Catalogues, [Conrad] Gesner, Simler, and our countrman John Bale. They make their Alphabet by the Christen name, I by the Sir name; They mingle Diuinitie, Law Phiscke, &c. together, I set Diuinitie by itselfe; They set downe Printed and not Printed, I onely Printed, and none but such as I have seene. . . Concerning the Books which are without Authors names called Anonymi, I have placed them either upon the Title they bee entiuled by, or else upon the matter they entreate of, and sometimes upon both, for the easier finding of them."

Maunsell then explained his cross-indexing system, and how it should be used throughout the work.

Breslauer & Folter, Bibliography: Its History and Development (1984) no. 36.

The first book auctions with lot numbers and printed catalogues took place in Holland. The first book auction with a printed catalogue took place in Leiden in 1593, though no catalogue survives. 

The earliest surviving catalogue of a book auction was issued by Christophorus Guyot in Leiden: Catalogus Librorum Bibliothecae Nobilissimi Clarissimique viri piae memoriea D. Philippi Marnixii. The sale took place in the house of the widow of the owner of the library,  Filips van Marnix, heer van Sint-Aldegonde.

Marnix was a Dutch and Flemish writer and statesman and the probable author of the text of the Dutch national anthem, the Wilhelmus.

"Less known to the general public is his work as a cryptographer. St. Aldegonde is considered to be the first Dutch cryptographer (cfr. The Codebreakers). For Stadholder William the Silent, he deciphered secret messages that were intercepted from the Spaniards. His interest in cryptograhpy possibly shows in the Wilhelmus, where the first letters of the couplets form the name Willem van Nassov, i.e. William 'the Silent' of Nassau, the Prince of Orange, but such musical games -often far more intricate- were commonly practiced by polyphony composers since the Gothic period." 

Only two copies survive. Breslauer & Folter, Bibliography: Its History and Development (1984) no. 40.

Kūnyú Wànguó Quántú (坤輿萬國全圖: "A Map of the Myriad Countries of the World") is the first European-style World map in Chinese. 5 ft (1.52 m) high and 12 ft (3.66 m) wide, it was printed from six large woodblocks and intended to be mounted on a folding screen. 

The map was drawn by Jesuit priest and polymath Matteo Ricci.

"Drawing of the map followed a first primitive map by Ricci, printed in 1584, named Yudi Shanhai Quantu (舆地山海全图). made in Zhaoqing, in 1584 by the Jesuit priest, Matteo Ricci. Ricci was one of the first Western scholars to live in China, master Chinese script and the Classical Chinese language. Ricci created smaller versions of the map at the request of the governor of Zhaoqing at the time, Wang Pan, who wanted the document to serve as a resource for explorers and scholars.

"Later, Ricci was the first Westerner to enter Peking, bringing atlases of Europe and the West that were unknown to his hosts. The Chinese had maps of the East that were equally unfamiliar to Western scholars. In 1602, at the request of the Wanli Emperor, Ricci collaborated with Mandarin Zhong Wentao, technical translator Li Zhizao. and other Chinese scholars in what is now Beijing to create what was his third and largest world map.

"In this map, European geographic knowledge, new to the Chinese, was combined with Chinese information to create the first map known to combine Chinese and European cartography. Among other things, this map revealed the existence of America to the Chinese. Ford W. Bell said: 'This was a great collaboration between East and West. It really is a very clear example of how trade was a driving force behind the spread of civilization.'

"Several prints of the map were made in 1602. Only seven original copies of the map are known to exist and only two are in good condition. Known copies are in the Vatican Apostolic Library Collection I; Vatican Apostolic Library Collection II; Japan Kyoto University Collection; collection of Japan Miyagi Prefecture Library; Collection of the Library of the Japanese Cabinet; a private collection in Paris, France and one recently sold in London (formerly in a private collection in Japan). No examples of the map are known to exist in China, where Ricci was revered and buried.

"Ferdinand Verbiest would later develop a similar but improved map, the Kunyu Quantu in 1674" (Wikipedia article on Impossible Black Tulip, accessed 01-13-2010).

In December 2009 The James Ford Bell Trust announced that in October 2009 it had acquired for the James Ford Bell Library at the University of Minnesota, Minneapolis, one of the two "good" copies of the Kūnyú Wànguó Quántú  from Bernard J. Shapero, a noted London dealer in rare books and maps in London, for $1 million. This was the second most expensive map purchase in history after the Library of Congress purchase of the Waldseemüller World Map. The James Ford Bell copy previously was in a private collection in Japan.

The first public exhibition of the map was held at the Library of Congress in January 2010.

Adriaan Vlacq, a bookseller, publisher, and human computer, computes and issues the first complete set of modern logarithms.

French Jesuit geographer, historian, and bibliographer Philippe Labbé issues Bibliotheca bibliothecarum curis secundis auctior accedit Bibliotheca Nummaria. This is the earliest bibliography of bibliographies.

"It is basically an alphabetical list, arranged by authors' first names, followed by eight intricate subject indices, among them one of publishers' and booksellers' catalogues. Appended is a very useful numismatic bibliography" (Breslauer & Folter, Bibliography: Its History and Development [1984] no. 62).

Lecturer in law in Halle and Jena, Ahasaver Fritsch publishes Tractatus de typographis, bibliopolis chartariis et bibliopegis (Treatise on Book Printers, Booksellers, Paper Manufacturers and Bookbinders).  This treatise on the book trade focused on  specifically on statutes, ordinances, liberties, disputes, censorship and inspection of printing offices and bookshops.

"Fritsch is one of the first writers on the subject to explicitly define an author's exclusive right to permit new editions of his work. The first publisher, however, has a right of priority to the publication of the new edition, provided that he offers the author terms which are as good as those promised by competing publishers (p.47). In Fritsch's view, however, the author's right is not meant to produce profit, but only honour. Quoting the Jena law professor Johannes Gryphiander (1580-1652), he states on page 37f.: 'The works of authors are sold to book printers and book sellers for a certain price, but in such a way, though, that the latter have the profit, whereas the honour goes to the former.' Fritsch' s views on authors' rights to new editions and his notion that the author may expect to gain honour but not profit, are probably based on his own experiences and hopes as an author and lecturer. However, when he presents a detailed justification of book privileges, Fritsch proves himself to be a judicious political theorist: privileges do not fall into the general category of monopolies which are to be rejected. He gives three reasons for arguing thus: (i) the demands of natural justness ('natürliche Billigkeit'), whereby the first publishers have to be protected, so that they may recoup their investment; (ii) publishers are encouraged ('angefrischet') by the award of privileges to have valuable new books printed at their expense; (iii) privileges are granted only for a limited term, so that they cannot seriously harm the public in any way. These three aspects sound quite modern: a special protection is justified on the grounds of the natural right not to suffer unjust damages and to recoup what one has invested. Furthermore, such special protection is justified as the means of providing an incentive for further publishing ventures. Nevertheless, such exemptions from the general rejection of monopolies are only to be allowed for a strictly limited term" (Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org, referring to the anonymous German translation of 1750).

Philologist and bibliographer Johann Hallervord publishes Bibliotheca curiosa in qua plurimi rarissimi atque paucis cogniti scriptores in Königsberg and Frankfurt.

Bibliotheca curiosa was the first bibliography of rare books issued with the book collector in mind. Hallervord (1644-1676) mentioned more than 2800 authors, and included information on anonymous and pseudonymous works. As the son of a bookseller, and probably a scion of the Hallervord family of publishers in Stettin, Hallervord had access to important  public and private libraries in Königsberg and in the Baltic regions, on which he was able to base his research.

Breslauer & Folter, Bibliography: Its History and Development (1984) no. 75.

The first auction sale of a library in England was the library of clergyman Lazarus Seaman. Bookseller William Cooper published a catalogue in Latin of the sale, which took place at Seaman's house:

Catalogus variorum & insignium librorum instructissimæ bibliothecæ clarissimi doctissimiq[ue] viri Lazari Seaman, S.T.D. Quorum auctio habebitur Londini in ædibus defuncti in area & viculo Warwicensi, Octobris ultimo. Cura Gulielmi Cooper bibliopolæ.

In his Foreward to Munby & Coral, British Book Sale Catalogues 1676-1800: A Union List (1977) Anthony Hobson reproduced the Address to the Reader published in the Seaman catalogue as "the ancestor of all subsequent 'Conditions of Sale":

"To the Reader.

"Reader,

"It has not been usual here in England to make Sales of BOOKS by way of Auction, or who will give most for them: But it having been practised in other Countreys to the Advantage both of Buyers and Sellers; It was therefore conceived (for the Encouragement of Learning) to publish the Sale of these Books in this manner of way; and it is hoped that this will not be unacceptable to Schollers; and therefore we thought it convenient to give an Advertisement concerning the manner of proceeding therein.

"First, That having this Catalogue of the Books, and their Editions under their several Heads and Numbers, it will be more easie for any Personal of Quality, Gentlemen, or others, to Depute any one to Buy such Books for them as they shall desire, if their occasions will not permit them to be present at the Auction themselves.

"Secondly, That those which bid most are the Buyers; and if any manifest Differences should arise, that then the same Book or Books shalle forthwith exposed again to Sale, and highest bidder to have the same.

"Thirdly, That all the Books according to the Catalogue are (for so much as know) perfect, and sold as such; But if any of them appear to be otherwise before they be taken away, the Buyer shall have his choice of taking or leaving the same.

"Fourthly, That the Mony for the Books bought, be paid at the Delivery of them, within one Month's time after the Auction is ended.

"Fifthly, That the Auction will begin the 31st of October at the Deceased Dr's House in Warwick Court in Warwick lane punctually at Nine of the Clock in the Morning, and Two in the Afternoon, and this to continue daily until all the Books be Sold. Wherefore it is desired, that the Gentlemen, or those Deputed by them, may be there precisely at the Hours appointed, lest they should miss the opportunity of Buying those Books, which either themselves or their Friends desire" (Hobson, op cit. x-xi).;

ESTC System No. 006092171; ESTC Citation No. R25610. 

Cornelis a Beughem publishes at Amsterdam, Incunabula typographiae s. catalogus librorum scriptorumque proximis ab inventione typographiae annis ad annum Christi MD inclusive in quavis lingua editorum.

This was the first attempt to comprehend and organize the collected literature of early printing, and the first use of of the term incunabula in the title of a book on the history of early printing. Beughem cited approximately 3000 titles.  A bookseller and city counselor at Emmerich, in the Duchy of Cleves under the rule of the Electors of Brandenburg, and author of several bibliographies, Beughem has been called the foremost bibliographer of the 17th century

The first book catalogue published in North America is the auction catalogue of the library of the non-conformist minister and natural philosopher Rev. Samuel Lee (1625?-91) issued in Boston by bookseller Duncan Cambell (d. 1702). It is known from a single surviving copy preserved in the Boston Public Library:

The library of the late Reverend and learned Mr. Samuel Lee. Containing a choice variety of books upon all subjects; particularly, commentaries on the Bible; bodies of divinity. The works as well of the ancient, as of the modern divines; treatises on the mathematicks, in all parts; history, antiquities; natural philosophy [,] physick, and chymistry; with grammar and school-books. With many more choice books not mentioned in this catalogue. Exposed at the most easy rates, to sale, by Duncan Cambell, bookseller at the dock-head over against the conduit.

"Bookseller's catalogue: 1200 short author entries, in Latin and English, arranged (not entirely consistently) by subject, within subject by language (either Latin or English), and within language by format. The subject headings are divinity (by far the largest); physical books (medicine and science); philosophy, cosmography & geography; mathematical, astrological and astronomical books; history, school authors; juris prudentia, miscellanie, and three miscellaneous lots of consecutively numbered entries"(Winans, A Descriptive Checklist of Book Catalogues Separately Printed in America 1693-1800 [1981] no. 1).

ESTC System No. 006467597; ESTC Citation No. W19259.

The sale by auction of the Bigot family library was conducted by booksellers Jean Boudot, Charles Osmont and Gabriel Martin over the remarkably long duration five months. Prior to this auction several auction catalogues for private libraries were printed in Paris but the libraries were sold privately before auctions could occur. The Bigot sale was in five parts comprising 450 manuscripts and over 15,000 printed books. Bookseller, publisher and writer Prosper Marchand organized and catalogued the sale for Martin and Osmont. See Berkvens-Stevelink, Prosper Marchand: la vie et oeuvre (1987) 11-22.

The published auction catalogue was entitled Bibliotheca Bigotiana; seu, Catalogus librorum, quos (dum viverent) summâ curâ & industriâ, ingentique sumptu congressêre vir clarissimi DD. uterque Joannes, Nicolaus, & Lud. Emericus Bigotii, domini de Sommesnil & de Cleuville. . . . 

"According to Olivier, the Library was begun by Jean Bigot in the early 17th century, and continued by his son, Louis-Emery; it eventually passed to Robert Bigot, sieur de Monville, and was sold at his death in 1706. The library included that of Jean-Jacques de Mesmes. The abbé de Louvois purchased many books for the Bibliothèque du roi; Franklin records that the library was purchased by the king. This was Gabriel Martin's first catalogue, and according to Bléchet, Jean-Pierre Nicéron was an editor" (North, Printed Catalogues of French Book Auctions and Sales by Private Treaty 1643-1830 in the Library of the Grolier Club [2004] no. 12).

The Bigot manuscripts were purchased for the Bibliothèque du roi. Over 150 years later they were catalogued by Léopold Delisle as Bibliotheca Bigotiana Manuscripta. Catalogue des manuscrits rassemblés aux XVIIe siecle par les Bigot, mis en vente au mois de juillet 1706, aujourdhui conservé aux Bibliothèque nationale (1877).

German bookseller Johann Adam Schmid issues from  Nuremberg the first "full-fledged" antiquarian bookseller's catalogue describing books which are significant, rare and desirable to collectors, with printed prices listed for each book:

Bibliotheca anonymiana, sive catalogus bibliotheca locupletis, Raritate, selectu, Ligatura Librorum splendidissimae. . . cum Notis literariis perpetuis aequissimoque Librorum pretio.

Breslauer & Folter, Bibliography: Its History and Development [1984] no. 99.

London rare book dealer and publisher Thomas Osborne issues The British Librarian: Exhibiting a Compenious Review or Abstract of our most Scarce, Useful and Valuable Books in all Sciences as well in Manuscript as in Print.

The work, of which only six issues appeared from January to June 1737 (issued in a collected volume in 1738), was the first periodical published in English on rare books and manuscripts, and it may be the first periodical on these topics in any language, as the antiquarian book trade was just beginning to become organized around this time, and the earliest recorded rare book catalogue is also dated 1738.

The anonymous author of the periodical, William Oldys, included descriptions of unique manuscripts, of examples of early printing such as several works printed by William Caxton, and of other works which were considered rare and collectable at the time. He sometimes includef details of bindings and of private collections. While Oldys' descriptions lean toward the verbose, and there is a certain lack of analysis, the periodical provides valuable insight into how rare books were appreciated and marketed in the first half of the eighteenth century. It is especially helpful since, as Oldys remarks, book sellers' catalogues and library catalogues of this period were primarily listings, and almost never annotated.

William Oldys devoted his life to antiquarian and bibliographic pursuits, compiling valuable notes on Langbaine's Dramatick Poets (1691), writing an important "Life" of Sir Walter Raleigh (published in the 1736 edition of Raleigh's History of the World), and amassing a library of historical and political works. In 1731 Oldys sold his library to Edward Harley (1689-1741), second Earl of Oxford and a noted bibliophile. From 1738 to 1741 Oldys served as the Earl's librarian, but had to give up the post upon his patron's death. In 1742 The Earl of Oxford's immense library of printed books was purchased by bookseller Thomas Osborne, publisher of The British Librarian and one of England's first rare book dealers. Osborne hired Oldys and Samuel Johnson to prepare a descriptive catalogue of the Harleian collection prior to its sale; the resulting Catalogus bibliothecae Harleianae was issued in five volumes between 1743 and 1745. Osborne and Oldys also worked together on The Harleian Miscellany, an annotated reprint of selected tracts and pamphlets from the Harleian library edited by Oldys and Johnson and published by Osborne. "Three years later Harley died, and from that time Oldys worked for the booksellers. His habits were irregular, and in 1751 his debts drove him to the Fleet prison. After two years' imprisonment he was released through the kindness of friends who paid his debts, and in April 1755 he was appointed Norfolk Herald Extraordinary and then Norroy King of Arms by the Duke of Norfolk" (Wikipedia article on William Oldys, which derives material from the 11th edition of the Encyclopaedia Brittanica).

From his private press at his estate at Middle Hill, Broadway, Worcestershire, England, Sir Thomas Phillipps issues Catalogus librorum manuscriptorum in bibliotheca d. Thomae Phillips, Bt.

According to A.N.L. Munby, this catalogue of Phillipps's manuscript collection, published in fascicules, or parts, over more than thirty years, was issued in only 50 copies, of which only three surviving copies may be considered complete. The fascicules were printed by a variety of printers, only some of whom worked at Phillipps's estate, and Phillipps bound up copies from both corrected and uncorrected sheets, resulting in copies that are exceptional in their bibliographical complexity. The catalogue includes 23,837 entries, which, for various reasons outlined by Munby, describe a considerably larger collection that may have comprised about 60,000 manuscripts. In 1968 Munby issued, in an edition of 500 copies, a facsimile of a complete copy of the Phillips catalogue which belonged at the time to rare book dealer Lew D. Feldman: The Phillipps Manuscripts. Catalogus librorum manuscriptorum . . . with an introduction by A.N.L. Munby. (London: Holland Press).

"Philipps began his collecting while still at Rugby School and continued at Oxford. Such was his devotion that he acquired some 40,000 printed books and 60,000 manuscripts, arguably the largest collection a single individual has created. . . . A.N.L. Munby notes that '[h]e spent perhaps between two hundred thousand and a quarter of a million pounds[,] altogether four or five thousand pounds a year, while accessions came in at the rate of forty or fifty a week.' His success as a collector owed something to the dispersal of the monastic libraries following the French Revolution and the relative cheapness of a large amount of vellum material, in particular English legal documents, many of which owe their survival to Phillipps. He was an assiduous cataloguer who established the Middle Hill Press (named after his country seat at Broadway, Worcestershire) in 1822 not only to record his book holdings but also to publish his findings in English topography and geneology."

"During his lifetime Phillipps attempted to turn over his collection to the British nation and corresponded with the then-Chancellor of the Exchequer Disraeli in order that it should be acquired for the British Library. Negotiations proved unsuccessful and ultimately the dispersal of his collection took over 100 years. Phillipps's will stipulated that his books should remain intact at Thirlestaine House, that no bookseller or stranger should rearrange them and that no Roman Catholic should be permitted to view them. In 1885 the Court of Chancery declared this too restrictive and thus made possible the sale of the library which Phillipps’s grandson Thomas FitzRoy Fenwick supervised for the next fifty years. Significant portions of the European material were sold to the national collections on the continent including the Royal Library, Berlin, the Royal Library of Belgium and the Provincial Archives in Utrecht as well as the sale of outstanding individual items to the J. Pierpont Morgan and Henry E. Huntington libraries. By 1946 what was known as the 'residue' was sold to London booksellers Phillip and Lionel Robinson for £100,000, though this part of the collection was uncatalogued and unexamined. The Robinsons endeavored to sell these books through their own published catalogues and a number of Sothebys sales. The final portion of the collection was sold to New York bookseller H.P. Kraus in 1977 who issued a sale catalogue the same year: the last to bear the title Bibliotheca Phillippica. A five-volume history of the collection and its dispersal, Phillipps Studies, by A.N.L. Munby was published between 1951 and 1960" (Wikipedia article on Sir Thomas Phillipps, accessed 11-25-2008).

The first WH Smith railway bookstall is opened.

Railroad transportation provided a whole new market for printing, publishing, and bookselling. Inexpensive novels or "Yellowbacks" were published to supply a wider range of society. It became a common practice to publish novels in weekly, fortnightly or monthly parts to spread the cost.

On his third visit to the Monastery of Saint Catherine on Mount Sinai in Egypt, Constantin von Tischendorf discovers the Codex Sinaiticus .

"The first two trips [in 1844 and 1854] had yielded parts of the Old Testament, some from a rubbish bin. The emperor Alexander II of Russia sent him to search for manuscripts, which he was convinced were still to be found in the Sinai monastery."

"The story of how von Tischendorf found the manuscript, which contained most of the Old Testament and all of the New Testament, has all the elements of a romance. Von Tischendorf reached the monastery on January 14; but his inquiries appeared to be fruitless. On February 4, he had resolved to return home without having achieved his goal.

"On that day, when walking with the provisor of the convent, he spoke with much regret of his ill-success. Returning from their promenade, Tischendorf accompanied the monk to his room, and there had displayed to him what his companion called a copy of the Septuagint, which he, the ghostly brother, owned. The manuscript was wrapped up in a piece of cloth, and on its being unrolled, to the surprise and delight of the critic the very document presented itself which he had given up all hope of seeing. His object had been to complete the fragmentary Septuagint of 1844, which he had declared to be the most ancient of all Greek codices on vellum that are extant; but he found not only that, but a copy of the Greek New Testament attached, of the same age, and perfectly complete, not wanting a single page or paragraph."

"After some negotiations, he Tischendorf] obtained possession of this precious fragment. James Bentley gives an account of how this came about, prefacing it with the comment, 'Tischendorf therefore now embarked on the remarkable piece of duplicity which was to occupy him for the next decade, which involved the careful suppression of facts and the systematic denigration of the monks of Mount Sinai.' He conveyed it to Tsar Alexander II, who appreciated its importance and had it published as nearly as possible in facsimile, so as to exhibit correctly the ancient handwriting. The Tsar sent the monastery 9 000 rubles by way of compensation.

"Regarding Tischendorf's role in the transfer to Saint Petersburg, there are several views. Although when parts of Genesis and Book of Numbers were later found in the bindings of other books, they were amicably sent to Tischendorf, the codex is currently regarded by the monastery as having been stolen. This view is hotly contested by several scholars in Europe. Kirsopp Lake wrote: 

"Those who have had much to do with Oriental monks will understand how improbable it is that the terms of the arrangement, whatever it was, were ever known to any except of the leaders.

In a more neutral spirit, New Testament scholar Bruce Metzger writes:

Certain aspects of the negotiations leading to the transfer of the codex to the Tsar's possession are open to an interpretation that reflects adversely on Tischendorf's candour and good faith with the monks at St. Catherine's. For a recent account intended to exculpate him of blame, see Erhard Lauch's article 'Nichts gegen Tischendorf' in Bekenntnis zur Kirche: Festgabe für Ernst Sommerlath zum 70. Geburtstag (Berlin, c. 1961); for an account that includes a hitherto unknown receipt given by Tischendorf to the authorities at the monastery promising to return the manuscript from Saint Petersburg 'to the Holy Confraternity of Sinai at its earliest request'.

"In 13 September 1862 Constantine Simonides, a forger of manuscripts who had been exposed by Tischendorf, by way of revenge made the claim in print in The Guardian that he had written the codex himself as a young man in 1839.

"Henry Bradshaw, a [librarian and] scholar, contributed to exposing the frauds of Constantine Simonides, and exposed the absurdity of his claims in a letter to the Guardian (January 26, 1863). Bradshaw showed that the Codex Sinaiticus brought by Tischendorf from the Greek monastery of Mount Sinai was not a modern forgery or written by Simonides. Simonides' "claim was flawed from the beginning" (Wikipedia article on Codex Sinaiticus, accessed 08-08-2009).

Book Trade notes:

♦ "In 1931 Ernest Maggs had travelled to the Soviet Union with a colleague, Maurice Ettinghausen, who was both a bookseller and a scholar. When they saw the priceless Codex Sinaiticus, Ettinghausen remarked to his hosts, “If you ever want to sell it, let me know." Some time later, Maggs received a postcard saying that the Soviet government would be prepared to sell the Codex Sinaiticus for 200,000 pounds. The British group countered with 40,000 pounds. Finally, a price of 100,000 pounds was agreed upon. This was the largest price that had ever been paid for a book. It was an enormous sum at the time. [In 1933] The British government agreed to pay half the amount and guaranteed the remainder if it were not raised by public subscription." (Wikipedia article on Maggs Bros., accessed 08-02-2009).

♦ From Rosenbach: A Biography by Wolf & Fleming (1960)367-68:

"Some preliminary negotiations were under way with Amtorg [in 1932] for the Codex Sainaiticus, the fourth-century manuscript of the Bible which had been in Russia since its discoverer, Tischendorf, acquired it for the Czar in 1869, and which the Communists, interested in neither its contents nor its provenance, wanted to sell. It was a volume before which the the Doctor's flow of words was inadequate. It was simply the most important, exciting, and valuable book in existence; except for fragments, it was one of the three oldest manuscripts of the Bible known. To have handled it would have added luster to any reputation. In the dickering stage, Dr. Rosenbach told the Russians that the asking price of $1,600,000 was too high, but he hung on the fringes of the deal by assuring them in confidence, 'that I might interest some of our wealthy clients in its purchase for presentation purposes, if the price could be lowered considerably.'

"Ah, perfidious Moscow! Before the end of the next year Ramsay MacDonald announced the purchase of the Codex by the British Museum for £100,000. The news found the Doctor astonished and disappointed. It had been offered to him for $1,250,000, he told the Herald Tribune, and he could not understand how the British Museum had obtained it for less than half that figure. . . ."

[In July 2008 it was stated on the Codex Sinaiticus website that the "recent" history of the manuscript would be revised in light of previously unavailable documents.]

Charles Darwin issues through the London publisher, John Murray, his book entitled On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life. 

The idea of species evolution can be traced as far back as the ancient Greek belief in the "great chain of being". Darwin's great achievement was to make this centuries-old "underground" concept acceptable to the scientific community and educated readers by cogently arguing for the existence of a viable mechanism— natural selection— by which new species evolve over vast periods of time.  Though Darwin stated his case persuasively and in the most diplomatic of tones, the work evoked a storm of controversy, causing Darwin to revise it through six editions during his lifetime. Since its publication the scientific evidence supporting evolution by natural selection has reached a massive—even overwhelming— preponderance, yet the controversy over evolution has never abated.

There is only one issue of the first edition of On the Origin of Species, and although three cloth binding and advertisement variants have been identified, no priority has been established. 1250 copies were printed, of which about 1,170 were available for sale; the remainder consisted of 12 author's copies, 41 review copies, 5 copyright copies, and "Darwin required ninety copies to be sent as presentations to friends, family, and scientists [Correspondence, 8: 554-6]" (Kohler & Kohler, see below, 333). Following Darwin's instructions, these presentation copies were sent out by the publisher, usually inscribed "From the Author" by the publisher's clerk.  The book was offered to booksellers two days earlier on November 22, and oversubscribed by 250 copies causing John Murray to propose a new edition immediately.

On the Origin of Species is undoubtedly the most famous book in the history of the life sciences, and one of the world's most famous books on any subject. It is also perhaps the most published book in the history of science and the most translated book originally published in English. As a result of this fame, a great deal of historical research has been concentrated on this work. Early in 2009 Cambridge University Press published The Cambridge Companion to the "Origin of Species," edited by Michael Ruse and Robert J. Richards. Most pertinent to book collecting and book history is the excellent chapter on "The Origin of Species as a Book" by Michèle Kohler and Chris Kohler.

Among the many very informative details the Kohlers include, of particular interest to the history of collecting rare books in the history of science is their observation that the first edition may have first been offered as collectable "rare book" by Bernard Quaritch Ltd in 1903 for £2-10-0, "a premium on the price of a new copy, not a discount." (p. 345). They also observe that the price of the first edition remained essentially static in the rare book trade until it began to rise in the 1920s, after which it very gradually moved upward. When I first opened my shop at the beginning of 1971 the price of a fine copy of the first edition in the original cloth was $1000. At this time the work was relatively common, and there were usually several copies of the first edition on the market at one time.

Hook & Norman, The Haskell F. Norman Library of Science and Medicine (1991) No. 593.

Press manufacturer and book collector, Robert Hoe, and eight of his book collector friends found The Grolier Club in New York. It became the leading society of bibliophiles in the United States, and a leading venue for exhibitions relating to book history.

The library of The Grolier Club became a leading research center for book history, for the history of libraries, the history of book collecting and the book trade.

The American Booksellers Association is founded.

In 1916 the distinguished London antiquarian booksellers Maggs Bros bought the penis of Napoleon Bonaparte from the descendants of Abbé Ange Paul Vignali, who had given the last rites to Napoleon on St. Helena. Vignali brought the penis along with a collection of more conventional mementos of Napoleon to Corsica, and died in a vendetta in 1828. He passed on the mementos to his sister, who at her death passed them on to her son, Charles-Marie Gianettini. After holding the Vignali collection of Napoleon memorabilia for eight years, Maggs sold it to the legendary American antiquarian bookseller Dr. A.S.W Rosenbach for £400 (then $2000) in 1924. 

Though the authenticity of the other Napoleon memorabilia in the Vignali collection was never in doubt, authenticity of the penis, which resembled something "like a maltreated strip of buckskin shoe-lace or shriveled eel," "rested mainly on a memoir by the valet, Ali (Saint-Denis), published in 1852 in the celebrated Revue des [Deux] Mondes. Ali claimed that he and Vignali had removed certain unnamed portions of Napoleon's corpse during the autopsy" (Charles Hamilton, Auction Madness [1980] 54-55).

With his characteristic flair Dr. Rosenbach received considerable publicity for this purchase.  According to the May 12, 1924 issue of Time Magazine:

"The collection numbers about 40 pieces, half of which consist of documents. The most interesting are: death mask from the matrix moulded by Dr. Antomarchi, Napoleon's doctor; a letter from Antomarchi to Vignali; the last cup ever used by the ex-French Emperor, a silver goblet inscribed with the Imperial arms; a silver knife, fork and spoon also engraved with the Imperial arms; a shirt, handkerchiefs, pair of white breeches, white pique waistcoats; Church vestments from the Longwood Chapel, some marked with the Imperial cypher; last, the most gruesome relic, a mummified tendon taken from the ex-Emperor's body during the postmortem" (http://www.time.com/time/magazine/article/0,9171,718332,00.html, accessed 08-02-2009).

Dr. Rosenbach had the penis "enshrined" in an elaborate blue morocco and velvet box. In 1927 he exhibited it, along with the other Vignali relics, in the Museum of French Art in New York.

Though I had heard of this most unusual purchase in Dr. Rosenbach's career I was not aware that The Rosenbach Company had issued a catalogue  describing the collection until a copy of Description of the Vignali Collection of the Relics of Napoleon (1924) was offered early in 2010. This I acquired, and we mounted a scan of the 20 page catalogue in the Traditions section of our website.

In that catalogue the description of item number 9 reads as follows:

"A mummifled tendon taken from Napoleon's body during the post  mortem. (The authenticity of this remarkable relic has lately [in 1852!] been confirmed by the publication in the Revue des Deux Mondes of a posthumous memoir by St. Denis, in which he expressly states that he and Vignali took away small pieces of Napoleon's corpse during the autopsy.)"

As historic as the Vignali collection was, it was not readily salable. According to the standard biography, Rosenbach by Edwin Wolf II and John F. Fleming (1960), a work which was inspirational in my early career, the Vignali collection remained in the inventory of The Rosenbach Company for 23 years until it was finally purchased by collector Donald Hyde in 1947.

But wait, the story continues:

According to Charles Hamilton, when Donald Hyde died in 1966 his widow, Mary, also a serious collector, turned the Vignali collection over to Dr. Rosenbach's successor, John Fleming. Fleming in turn sold it to dealer Bruce Gimelson for $35,000. Finding the collection difficult to resell, as had Maggs and Rosenbach, Gimelson consigned it to Christie's in London for sale en bloc at a reserve price equal to his cost, but with no success. When the collection failed to sell London tabloids ran the naughty headline, "Not Tonight, Josephine!"

Eight years later Gimelson consigned the collection in Paris at Drouot Rive Gauche. This time the collection was dispersed, and the penis was purchased by John K. Lattimer, professor emeritus and former chairman of urology at the Columbia University College of Physicians and Surgeons, for the equivalent of $3000. The object fit in well with other historical objects in Lattimer's collection:

"Dr. John Lattimer possessed Abraham Lincoln's bloodstained collar and a treasure trove of items from his own idiosyncratic relationships to some of the most important historical events of the 20th century. He was an attending urologist to Nazi prisoners at the Nuremberg trials and had acquired Herman Goering's suicide vial. He worked on the autopsy of John F. Kennedy and possessed upholstery from the president's limousine in Dallas" ("The Twisted Story of Napoleon's Privates" http://www.npr.org/templates/story/story.php?storyId=92126411, accessed 05-23-2010).

Wlliam Barnes and G. Clifford Noble open the first Barnes and Noble book store in Manhattan.

London antiquarian booksellers Maggs Bros. issue Catalogue of Medical Works from the Library of Dr. Nicholaus Pol, Born c1470; Court Physician to the Emperor Maximilian I. Maggs further characterized the 34 items offered in the catalogue as "A remarkable collection of 'Editiones principes' and other early editions of Medical Authors, Classical, Arabian, and medieval from famous early presses of France and Italy in the original Gothic Bindings executed for Dr. Pol".

The asking price for the collection—£2500, even when the pound equalled nearly $5— seems exceptionally reasonable today, considering the optimal significance and quality of the books involved.

The catalogue was bought in its entirely by the Cleveland Medical Library and it is preserved in the Howard Dittrick Medical History Center at Case Western Reserve University.

"Through a clerical error, Dr. Harvey Cushing did not receive a copy of the catalogue, but his nephew Dr. Edward H. Cushing of Cleveland did. He promptly persuaded President Vinson of Western Reserve University to cable for the collection and hold it until the Cleveland Medical Library Association could raise the money. This was soon supplied by a donor who asked to be nameless, and the collection came to rest in the Cleveland Medical Library as a memorial to Mr. Charles H. Bingham" (http://www.cwru.edu/artsci/dittrick/site2/books/pol.html, accessed 08--02-2009).

Bob Brown (Robert Carlton Brown) publishes The Readies in an edition of either 150 or 300 copies. Brown's work was an extremely early predictor of the changes that would occur with electronic publishing, and an early proponent of saving space, paper and ink through media more compact than traditional printed books. In the pre-electronic computer era he saw the future primarily in the context of film and microfilm, and in developing more verbally compact means of communication:

"This important manifesto, on a par with André Breton's Surrealist manifestos or Tristan Tzara's Dadaist declarations, includes plans for an electric reading machine and strategies for preparing the eye for mechanized reading. There are instructions for preparing texts as “readies” and detailed quantitative explanations about the invention and mechanisms involved in this peculiar machine.

"In the generic spirit of avant-garde manifestos, Brown writes with enthusiastic hyperbole about the machine's breathtaking potential to change how we read and learn. In 1930, the beaming out of printed text over radio waves or in televised images had a science fiction quality—or, for the avant-garde, a fanciful art-stunt feel. Today, Brown’s research on reading seems remarkably prescient in light of text-messaging (with its abbreviated language), electronic text readers, and even online books like the digital edition of this volume. Brown's practical plans for his reading machine, and his descriptions of its meaning and implications for reading in general, were at least fifty years ahead of their time.  

"These lines conjure a fantastic, if archaic, alternate world in their exhaustive descriptions of the reading machine’s operations, the details seeming at once quaint, futuristic…and Kindle-esque:

" 'Extracting the dainty reading roll from its pill box container the reader slips it smoothly into its slot in the machine, sets the speed regulator, turns on the electric current and the whole 100,000, 200,000, 300,000 or million words spill out before his eyes . . . in one continuous line of type . . . . My machine is equipped with controls so the reading record can be turned back or shot ahead . . . magnifying glass . . . moved nearer or farther from the type, so the reader may browse in 6 point, 8, 10, 12, 16 or any size that suits him.'

"(Use of the word 'browse,' incidentally, in reference to a graphical interface device rather than perusal in a bookshop or library does not appear again until the late 1980s, with the advent of database browsers.)  

"Brown’s reading machine was designed to 'unroll a televistic readie film' in the style of modernist experiments; the design also followed the changes in reading practices during the first quarter of the twentieth century. Gertrude Stein understood that Brown’s machine, as well as his processed texts for it, suggested a shift toward a different way to comprehend texts. That is, the mechanism of this book, a type of book explicitly built to resemble reading mechanisms like ticker-tape machines rather than a codex, produced—at least for Stein—specific changes in reading practices.  

"In Brown’s Readie, punctuation marks become visual analogies. For movement we see em-dashes (—) that also, by definition, indicate that the sentence was interrupted or cut short. These created a 'cinemovietone' shorthand system. The old uses of punctuation, such as employment of periods to mark the end of a sentence, disappear. Reading machine-mediated text becomes more like watching a continuous series of flickering frames become a movie" (Afterward from: The Readies, edited with an Afterward by Craig Saper, Houston: Rice University Press,[2009] accessed 05-23-2010).

Following the "all digital" policy of Rice University Press since it was re-organized in 2006, this edition is available as a free download from their website, or as print on demand from QOOP.com. When I clicked on the purchase button on 05-23-2010, I was given the following purchase options at QOOP.com:

"+Hard Bound Laminate for $25.85

"+Hard Bound - Dust Jacket for $32.35

"+Wire-O for $16.00

"+eBook for $7.00."

The International League of Antiquarian Booksellers is founded in The Hague  "to uphold and improve professional standards in the trade, to promote honorable conduct in business, and to contribute in various ways to a broader appreciation of the history and art of the book."

The Antiquarian Booksellers Association of America is founded to promote ethical standards in the antiquarian booktrade both in America and internationally.

11,638 new books are published in the United Kingdom.

Man Bait, originally released in England under the title of The Last Page, was a film noir directed by Terence Fisher starring George Brent and Marguerite Chapman. It also represented the screen debut of sexy Diana Dors, a Marilyn Monroe lookalike who was actually classically trained in acting, as the femme fatale.  

In the film the married manager (Brent) of a bookstore, which sells both new and rare books, is attracted to his sexy blonde clerk (Dors). He attempts to resist temptation but finally kisses her in his office, though the romance does not proceed beyond one kiss. Dors, who had become infatuated with a man played by Peter Reynolds who she witnessed stealing a rare book in the store, blackmails the bookstore manager for kissing her (remarkably), sending a letter to the manager's wife. The manager's wife, a bed-ridden invalid, unbelievably dies as she gets out of bed to burn the letter. Dors is murdered by the ex-con, with her body stuffed into a shipping crate that was intended for a book shipment. The manager is framed for the murder. 

As unlikely as the plot is, in my opinion and the opinion of many of my colleagues Man Bait is the best bookstore mystery film, and perhaps the most interesting film set in an antiquarian bookstore. The main area in which the film deviates from authenticity in book trade practice is the seemingly enormous bookstore staff (perhaps 10 people) working in a store which appears to do relatively insignificant business.

The original title of the film, The Last Page, is much more in character with the subdued, sultry sexuality of the film, compared to the graphic elements suggested in the revised title Man Bait, and the graphic elements of the posters advertising the film under that title which strongly emphasize the busty aspect of Ms. Dors.

The Barnes & Noble bookstore chain, purchased by Leonard Riggio in 1971,  becomes the first bookseller in America to discount books, by selling New York Times best-selling titles at 40% off the publishers’ list price.

Larry Costello founds Antiquarian Databases International (ADI).

A Bulletin Board Service (BBS), ADI was the first operational online antiquarian bookselling site, and an extremely early venture in ecommerce, but it closed after only a few months.

Richard Weatherford establishes Interloc, "the first successful online bookseller service."

Arguing that "our mission is to help booksellers find books for their own customers," Weatherford opened the database to booksellers only.

Jeff Bezos founds Amazon.com as an online bookstore. 

"The first book Amazon sold was Douglas Hofstadter's Fluid Concepts and Creative Analogies: Computer Models of the Fundamental Mechanisms of Thought" (Wikipedia article on Amazon.com, accessed 03-20-2010).

The used and antiquarian bookselling website Abebooks.com is launched.

You've Got Mail, an American romantic comedy film starring Tom Hanks and Meg Ryan, is released by Warner Brothers. The film dramatizes a romantic relationship that develops over email, featuring AOL's "You've got mail" slogan in product placement. Paralleling this film about computers and society is the film's subplot of the forced closure of a small independent bookshop by competition from a big-box chain bookstore — thus not only a film about computers and romance but also a commentary about the changing face of the book trade.

There are 3,200,000 new printed book titles listed for sale in the United States. The number of book titles in print in the world may be about 8,000,000. The world market for printed books (pBooks) is estimated at $25 billion. At this time the world market for eBooks is estimated at $100 million.

Steven Pendergast and Mindwise Media LLC, owned by Scott Pendergast, found Fictionwise.com.

Fictionwise.com became one of the largest distributors of ebooks in North America, and was acquired by Barnes & Noble in March 2009.

At the meeting of the San Francisco chapter of the Women's National Book Association, David Spiselman predicts that ebooks will be a 3.1 billion dollar business by 2004. He also predicts that by 2004 "screen quality will be superior to paper."

According to Bowker, as cited by Robert Darton in Publisher's Weekly, 859,000 new book titles were published worldwide in 2003. This represented a significant increase over the 700,000 titles published in 1998.

This year 1,200,000 unique book titles are sold. According to an article in the New York Times, only two percent sell more than 5000 copies.

According to R.R. Bowker, publisher of Books in Print, 375,000 new unique books are published in English during 2004.

Chris Anderson publishes "The Long Tail" in Wired magazine.

In this article he described "the niche strategy of businesses, such as Amazon.com or Netflix, that sell a large number of unique items, each in relatively small quantities. Anderson elaborated the Long Tail concept in his book The Long Tail: Why the Future of Business Is Selling Less of More.

"A frequency distribution with a long tail — the concept at the root of Anderson's coinage — has been studied by statisticians since at least 1946. The distribution and inventory costs of these businesses allow them to realize significant profit out of selling small volumes of hard-to-find items to many customers, instead of only selling large volumes of a reduced number of popular items. The group that purchases a large number of "non-hit" items is the demographic called the Long Tail.

"Given a large enough availability of choice, a large population of customers, and negligible stocking and distribution costs, the selection and buying pattern of the population results in a power law distribution curve, or Pareto distribution. This suggests that a market with a high freedom of choice will create a certain degree of inequality by favoring the upper 20% of the items ("hits" or "head") against the other 80% ("non-hits" or "long tail"). This is known as the Pareto principle or 80–20 rule.

"The Long Tail concept has found a broad ground for application, research and experimentation. It is a common term in online business and the mass media, but also of importance in micro-finance (Grameen Bank, for example), user-driven innovation (Eric von Hippel), social network mechanisms (e.g., crowdsourcing, crowdcasting, Peer-to-peer), economic models, and marketing (viral marketing)" (Wikipedia article on The Long Tail, accessed 04-19-2009).

Global sales of J. K. Rowling's Harry Potter book series surpass 300,000,000 printed copies.

The first experimental beta Espresso Book Machine is installed at the World Bank InfoShop in Washington, D.C. to print and bind World Bank publications on demand.

"In September 2006 ODB installed a second beta machine at The Library of Alexandria, Egypt, to print books in Arabic. The first EBM Version 1.5 was introduced for ninety days at the New York Public Library during the summer of 2007."

In September 2008 the first Espresso Book Machine in a retail commercial setting was installed at Angus & Robertson in Melbourne, Australia.

♦ Link to the PDF brochure for Espresso Book Machine 2.0 at ondemandbooks.com, accessed 08-31-2009.

In 2006 publishers in the U.S. sell 3.1 billion books. This is up just 0.5 percent from the 3. 09 billion sold in 2005. Of the 3.1 billion, 263.4 million are religious books, the fastest growing category in U.S. book publishing.

According to the Book Industry Study Group in 2007 3,200,000,000 books were sold in the United States. According to The Association of American Publishers net book sales in the U.S. were $25,000,000,000, an increase of 2.5 percent over 2006.

According to Bowker, as cited by Robert Darnton in Publisher's Weekly, 976,000 new book titles were published worldwide in 2007. This represented a significant increase over the 859,000 published in 2003, and the 700,000 published in 1998.

Gordon Cheers of Millennium House  publishes a world atlas called Earth. The World Atlas. Containing 576 pages with 154 maps and 800 photographs, the volume measures 610 x 469 millimeters and weighs over 30 kilos. The publishers describe it as the largest atlas ever published as a printed book.

"The book also includes four monster-sized gatefolds which, unfurled, measure six x four feet (1.82 x 1.21 meters) and reveal pinpoint sharp satellite images including shots of the earth and sky at night" (http://www.cnn.com/2008/TECH/science/10/16/earth.atlas/index.html#cnnSTCText, accessed 12-05-2008).

You could take a virtual tour of a few pages of the atlas on the Millenium House website at http://www.millenniumhouse.com.au/title-earth.html, accessed 10-2009.

The book was offered for sale in two versions: "Royal Blue," limited to 2000 copies, and available in bookstores, and "Imperial Gold," limited to 1000 copies and for sale only by Millenium House. In October 2009 Amazon.com offered a copy of an unspecified version for about $7200 plus $3.99 shipping and handling. There was also a regular trade edition available in a 325 x 250 mm format called Earth Condensed.

The Authors Guild, the Association of American Publishers (AAP), and Google announce a groundbreaking settlement agreement "on behalf of a broad class of authors and publishers worldwide that would expand online access to millions of in-copyright books and other written materials in the U.S. from the collections of a number of major U.S. libraries participating in Google Book Search. The agreement, reached after two years of negotiations, would resolve a class-action lawsuit brought by book authors and the Authors Guild, as well as a separate lawsuit filed by five large publishers as representatives of the AAP’s membership. The class action is subject to approval by the U.S. District Court for the Southern District of New York.

"If approved by the court, the agreement would provide:

• More Access to Out-of-Print Books – Generating greater exposure for millions of in-copyright works, including hard-to-find out-of-print books, by enabling readers in the U.S. to search these works and preview them online;
• Additional Ways to Purchase Copyrighted Books – Building off publishers’ and authors’ current efforts and further expanding the electronic market for copyrighted books in the U.S., by offering users the ability to purchase online access to many in-copyright books;
• Institutional Subscriptions to Millions of Books Online – Offering a means for U.S. colleges, universities and other organizations to obtain subscriptions for online access to collections from some of the world’s most renowned libraries;
• Free Access From U.S. Libraries – Providing free, full-text, online viewing of millions of out-of-print books at designated computers in U.S. public and university libraries; and
• Compensation to Authors and Publishers and Control Over Access to Their Works – Distributing payments earned from online access provided by Google and, prospectively, from similar programs that may be established by other providers, through a newly created independent, not-for-profit Book Rights Registry that will also locate rightsholders, collect and maintain accurate rightsholder information, and provide a way for rightsholders to request inclusion in or exclusion from the project."

"Around 14.9 million U.S. households regularly buy books online. Among that group, 48 percent earn more than $70,000 a year and spend $28 a month on books, half of them online" (http://news.cnet.com/8301-1023_3-10253199-93.html, accessed 06-01-2009)

"In George Orwell’s '1984,' government censors erase all traces of news articles embarrassing to Big Brother by sending them down an incineration chute called the 'memory hole.'

"On Friday, it was '1984' and another Orwell book, 'Animal Farm,' that were dropped down the memory hole — by Amazon.com.

"In a move that angered customers and generated waves of online pique, Amazon remotely deleted some digital editions of the books from the Kindle devices of readers who had bought them.

"An Amazon spokesman, Drew Herdener, said in an e-mail message that the books were added to the Kindle store by a company that did not have rights to them, using a self-service function. 'When we were notified of this by the rights holder, we removed the illegal copies from our systems and from customers’ devices, and refunded customers,' he said.

'Amazon effectively acknowledged that the deletions were a bad idea. 'We are changing our systems so that in the future we will not remove books from customers’ devices in these circumstances,' Mr. Herdener said" (http://www.nytimes.com/2009/07/18/technology/companies/18amazon.html, accessed 07-25-2009).

"Books in the real world are covered by a notion of copyright called the 'first sale' doctrine, which allows a purchaser to do pretty much whatever he or she wants with the book–including reselling it or lending it to a friend.

"But digital books–especially if they’re sold as part of access to a networked system such as Amazon’s Kindle Store and Google’s online books collection–don’t necessarily fall under those same rules. 'We have not matured our understanding of copyright to work in a digital environment in way that provides a set of protections and meets people’s expectations for how we use digital content,' said Brantley" (http://blogs.wsj.com/digits/2009/07/17/an-orwellian-moment-for-amazons-kindle/, accessed 07-25-2009).

USA Today announces that it will add Amazon Kindle e-book (ebook) sales to its weekly Best-Selling Books list in its Best-Selling Books Database:

"Starting today, USA TODAY's Best-Selling Books list becomes the first major list to include Amazon Kindle e-book sales. The move reflects both the growth of e-book sales and Kindle's role in that market. 'Since 1993, USA TODAY's Best-Selling Books list has always evolved to reflect the ways our readers buy books,' says Susan Weiss, managing editor of the Life section. 'Adding Kindle to our group of contributors makes sense given the growth in the e-book platform.' E-books, for all devices, claimed 4.9% of sales in May, according to book audience research firm Codex-Group. That's up from 3.7% in March. This week, Barnes & Noble announced the launch of its own eBookstore with 700,000 titles."

"In The Case for Books: Past, Present, and Future, Robert Darnton, a pioneer in the field of the history of the book, offers an in-depth examination of the book from its earliest beginnings to its changing—some even say threatened—place in culture, commerce and the academy. But to predict the death of the book is to ignore its centuries-long history of survival. The following are some of Darnton's observations.

"1. The Future Whatever the future may be, it will be digital. The present is a time of transition, when printed and digital modes of communication coexist and new technology soon becomes obsolete. Already we are witnessing the disappearance of familiar objects: the typewriter, now consigned to antique shops; the postcard, a curiosity; the handwritten letter, beyond the capacity of most young people, who cannot write in cursive script; the daily newspaper, extinct in many cities; the local bookshop, replaced by chains, which themselves are threatened by Internet distributors like Amazon. And the library? It can look like the most archaic institution of all. Yet its past bodes well for its future, because libraries were never warehouses of books. They have always been and always will be centers of learning. Their central position in the world of learning makes them ideally suited to mediate between the printed and the digital modes of communication. Books, too, can accommodate both modes. Whether printed on paper or stored in servers, they embody knowledge, and their authority derives from a great deal more than the technology that went into them.

"2. Preservation Bits become degraded over time. Documents may get lost in cyberspace, owing to the obsolescence of the medium in which they are encoded. Hardware and software become extinct at a distressing rate. Unless the vexatious problem of digital preservation is solved, all texts “born digital” belong to an endangered species. The obsession with developing new media has inhibited efforts to preserve the old. We have lost 80% of all silent films and 50% of all films made before World War II. Nothing preserves texts better than ink imbedded in paper, especially paper manufactured before the 19th century, except texts written in parchment or engraved in stone. The best preservation system ever invented was the old-fashioned, pre-modern book.

"3. Reading… and Writing Time was when readers kept commonplace books. Whenever they came across a pithy passage, they copied it into a notebook under an appropriate heading, adding observations made in the course of daily life. The practice spread everywhere in early modern England, among ordinary readers as well as famous writers like Francis Bacon, Ben Jonson, John Milton, and John Locke. It involved a special way of taking in the printed word. Unlike modern readers, who follow the flow of a narrative from beginning to end (unless they are digital natives and click through texts on machines), early modern Englishmen read in fits and starts and jumped from book to book. They broke texts into fragments and assembled them into new patterns by transcribing them in different sections of their notebooks. Then they reread the copies and rearranged the patterns while adding more excerpts. Reading and writing were therefore inseparable activities. They belonged to a continuous effort to make sense of things, for the world was full of signs: you could read your way through it, and by keeping an account of your readings, you made a book of your own, one stamped with your personality. 

"4. Piracy Voltaire toyed with his texts so much that booksellers complained. As soon as they sold one edition of a work, another would appear, featuring additions and corrections by the author. Customers protested. Some even said that they would not buy an edition of Voltaire's complete works—and there were many, each different from the others—until he died, an event eagerly anticipated by retailers throughout the book trade. Piracy was so pervasive in early modern Europe that bestsellers could not be blockbusters as they are today. Instead of being produced in huge numbers by one publisher, they were printed simultaneously in many small editions by many publishers, each racing to make the most of a market unconstrained by copyright. Few pirates attempted to produce accurate counterfeits of the original editions. They abridged, expanded, and reworked texts as they pleased, without worrying about the authors' intentions. 

"5. E-Books I want to write an electronic book. Here is how my fantasy takes shape. An “e-book,” unlike a printed codex, can contain many layers arranged in the shape of a pyramid. Readers can download the text and skim the topmost layer, which will be written like an ordinary monograph. If it satisfies them, they can print it out, bind it (binding machines can now be attached to computers and printers), and study it at their convenience in the form of a custom-made paperback. If they come upon something that especially interests them, they can click down a layer to a supplementary essay or appendix. They can continue deeper through the book, through bodies of documents, bibliography, historiography, iconography, background music, everything I can provide to give the fullest possible understanding of my subject. In the end, they will make the subject theirs, because they will find their own paths through it, reading horizontally, vertically, or diagonally, wherever the electronic links may lead. 

"6. Authorship Despite the proliferation of biographies of great writers, the basic conditions of authorship remain obscure for most periods of history. At what point did writers free themselves from the patronage of wealthy noblemen and the state in order to live by their pens? What was the nature of a literary career, and how was it pursued? How did writers deal with publishers, printers, booksellers, reviewers, and one another? Until those questions are answered, we will not have a full understanding of the transmission of texts. Voltaire was able to manipulate secret alliances with pirate publishers because he did not depend on writing for a living. A century later, Zola proclaimed that a writer's independence came from selling his prose to the highest bidder. How did this transformation take place?

"7. The Book Trade It may seem hopeless to conceive of book history as a single subject, to be studied from a comparative perspective across the whole range of historical disciplines. But books themselves do not respect limits either linguistic or national. They have often been written by authors who belonged to an international republic of letters, composed by printers who did not work in their native tongue, sold by booksellers who operated across national boundaries, and read in one language by readers who spoke another. Books also refuse to be contained within the confines of a single discipline when treated as objects of study. Neither history nor literature nor economics nor sociology nor bibliography can do justice to all aspects of the life of a book. By its very nature, therefore, the history of books must be international in scale and interdisciplinary in method. But it need not lack conceptual coherence, because books belong to circuits of communication that operate in consistent patterns, however complex they may be. By unearthing those circuits, historians can show that books do not merely recount history; they make i? (http://www.publishersweekly.com/article/CA6696290.html)"

"According to a report being released Wednesday by Forrester Research, e-reader sales will total an estimated 3 million this year, with Amazon selling 60 percent of them and Sony Corp. 35 percent."

"According to the Association of American Publishers, e-books accounted for just 1.6 percent of all book sales in the first half of the year. But the market is growing fast. E-book sales totaled $81.5 million in the first half, up from $29.8 million in the first six months of 2008.

"And [Jeff] Bezos said Amazon sells 48 Kindle copies for every 100 physical copies of books that it offers in both formats. Five months ago it was selling 35 Kindle copies per 100 physical versions.

"Bezos said that increase is happening faster than he expected.

" 'I think that ultimately we will sell more books in Kindle editions than we do in physical editions,' Bezos said in the interview, which was held in the Cupertino offices of Lab126, the Amazon subsidiary that developed the Kindle" (http://www.nytimes.com/aponline/2009/10/07/business/AP-US-TEC-Amazon-Kindle.html)

The web auction site ComicConnect.com sells the first edition of the first Superman comic book, Action Comics #1, for $1,000,000.

"ComicConnect.com, one of the industry’s leading online auction/consignment sites, just sold an extremely rare, top-condition copy of the world’s most coveted comic book for exactly $1,000,000. That figure is more than three times higher than the prior record-holder, also set by ComicConnect.com.

"That comic book, of course, is Action Comics #1, which marked the debut of Superman in 1938 and promptly changed the course of pop culture forever.

" 'This particular copy has been in a private collection for more than 15 years, and it’s likely to disappear again once it’s been turned over to its new owner. However, ComicConnect.com will allow the media to view it briefly in its New York City showroom (873 Broadway, Suite 201, 212-895-3999). The showroom is also home to ComicConnect.com’s affiliate, Metropolis Collectibles (metropoliscomics.com), the largest vintage comic book dealer in the world.

" 'It’s the Holy Grail of comic books,' says founder Stephen Fishler, one of the leading experts on collectible comics.

“ 'Before Action Comics #1, there was no such thing as a superhero or a man who could fly,' notes Fishler, who created the 10-point grading scale which today is used universally to evaluate the condition of comic books.

“ 'It’s the single most important event in comic book history,' adds ComicConnect.com co-owner and COO, Vincent Zurzolo.

"Only about 100 copies Action Comics #1 remain in existence, and of those 100, only two have received a grading of 8.0 (Very Fine) or higher. This particular book is one of them, making it among the rarest of the rare.

"Up until now, the record-holder was another Action Comics #1, this one with a grading of 6.0. It sold on ComicConnect.com for $317,200 in 2009.

"According to the Overstreet Price Guide to Comic Books—the industry bible—Action Comics #1 is indisputably the highest-valued comic book of all time. In second place is Detective Comics #27, which marked the first appearance of Batman in 1939. An Action Comics #1 graded 8.0 or higher is priced about 25% higher than a comparable Detective Comics #27" (http://www.comicconnect.com/, accessed 02-25-2010).

"The US book publishing industry consists of about 2,600 companies with combined annual revenue of about $27 billion. Major companies include John Wiley & Sons, McGraw-Hill, Pearson, and Scholastic, as well as publishing units of large media companies such as HarperCollins (owned by News Corp); Random House (owned by Bertelsmann); and Simon & Schuster (owned by CBS). The industry is highly concentrated: the top 50 companies generate about 80 percent of revenue.

"Demand for books is driven by demographics and is largely resistant to economic cycles. The profitability of individual companies depends on product development and marketing. Large publishers have an advantage in bidding for new manuscripts or authors. Small and midsized publishers can succeed if they focus on a specific subject or market.

"Publishers produce books for general reading (adult "trade" books); text, professional, technical, children's, and reference books. Trade books account for 25 percent of the market, textbooks 25 percent, and professional books 20 percent.  "

"About 150,000 new books are published in the US every year; however, most are low-volume products. The number of books produced by major trade publishers and university presses is closer to 40,000" (http://www.businesswire.com/portal/site/home/permalink/?ndmViewId=news_view&newsId=20100506006043&newsLang=en, accessed 05-06-2010).

During the months of April, May, and June 2010 sales of ebooks (e-books) exceeded sales of hardcover physical books at Amazon.com. "In that time Amazon said, it sold 143 Kindle books for every 100 hardcover books, including hardcovers for which there is no Kindle edition."

The New York Times online, which reported this information, did not compare Amazon's sales of e-books versus their sales of paperback books during the same period, but indicated that  "paperback sales are thought to still outnumber e-books."

"Book lovers mourning the demise of hardcover books with their heft and their musty smell need a reality check, said Mike Shatzkin, founder and chief executive of the Idea Logical Company, which advises book publishers on digital change. 'This was a day that was going to come, a day that had to come,' he said. He predicts that within a decade, fewer than 25 percent of all books sold will be print versions.  

"Still, the hardcover book is far from extinct. Industrywide sales are up 22 percent this year, according to the American Publishers Association."

The shift at Amazon is "astonishing when you consider that we’ve been selling hardcover books for 15 years, and Kindle books for 33 months," Amazon's chief executive, Jeffrey P. Bezos, said in a news release, published in Amazon.com's Media Room.